Visualizzazione post con etichetta Silvia Marcantoni Taddei. Mostra tutti i post
Visualizzazione post con etichetta Silvia Marcantoni Taddei. Mostra tutti i post
EXHIBITIONS
October 2019: AnimaeNoctis artwork in Cartoline per Leopardi, Galleria Boragno, Busto Arsizio
July 2021: AnimaeNoctis artwork in Bologna, Cheap Festival
October 2021: Love & Chaos, The Alchemy Experiment, Glasgow
October 2021: Queer Photography, The Ledward Centre, Brighton
May 2022: LGBTQIAPK!, Ospizio Giovani Artisti, Rome
April 2023: La Collezione Queer II, Ospizio Giovani Artisti, Rome
August 2023: IV Mail Art JazzÁndaluz, Carnicerías Reales, Priego de Córdoba
August 2023: Speak Up, Be Heard, Alliance Française, Ibadan
October 2023: Corpologie VI, Ospizio Giovani Artisti, Rome
April 2024: Adam & Evidence, Atelier Blumentopf, Vienna
October 2024: Rome Art Week, Ospizio Giovani Artisti, Rome
April 2025: WE MADE EVERYTHING IN ATHENS!, Atelier Blumentopf, Vienna
May 2025: a photo by Jim Goodin in This Must Be The Place, collective exhibition, Nazareth Area Photography Club, Nazareth PA
July 2025: a photo from Frank'n'Further series by Silvia Marcantoni Taddei in Wearing Wild, online collective exhibition on Personaland
September 2025: Meanwhile In The Intervening Space, SULUV Galerija, Novi Sad
October 2025: Rome Art Week, Ospizio Giovani Artisti, Rome
February-March 2026: Bodies Of Archives, Vinzenz, Vienna
May-June 2026: a portrait of AnimaeNoctis duo by Adare in We Are Our Own Light, Wailoa Art Center, Hilo
August 2026: Performans=Sloboda, SULUV Galerija, Novi Sad
MAGAZINES & CATALOGS
January 2024: «NINABYRON» #9 special issue: CARNIVAL
Spring-Summer 2021: Vague Vagrant Vagina, «Feminist Spaces», 4.1, pp. 60-63
October 2021: Oh, Alcove's DNA, «Love and Chaos», The Alchemy Experiment, 2021, pp. 87-88
October 2022: Vague Vagrant Vagina, «SEAS' ZINE: Queer Photography», SEAS, pp. 108-109
April 2024: Animerotics (private edition)
March 2026: «Anarkiss» 11: Bodies Without Permission
September 2026: «Coin-Operated Press»: Queer Activism
AWARDS
6 photos from Frank'n'Further series are awarded as Best Cosplay at Video Nasties Genre FilmFest, London (October 2023)
E-BOOKS, by Silvia Marcantoni Taddei/AnimaeNoctis
BORN IN NAY métAMOURphose ALIEN APOLLO APPAREL TRISTESSE D'UNE ETOILE NOT ALL THE QUEERNESS IS VISIBLE THE COLLAGE IS US
I was born on November 27, 1973. This is my real date of birth. I will never hide my age.
I am a multimedia artist in AnimaeNoctis duo.
I am not a bourgeois. My ancestors were countrymen and tailors.
I trust G-D. I trust Jesus Christ.
I am ashamed of the poems I published before 2016. I lacked mental alertness. My syntax was arbitrarily scattered and futile. I don't mean that every twisted syntax derives from psychiatric pain. I am only saying this was my case: I was servile to my pain. So I repudiate my literary bulky waste: the poems I made, the positive critical feedback they had, my academic works. I apologize to all the sincere admirers I had.
The only poetic phase I want to be read is this. My poetry and prose works in my mothertongue are self-published.
I am no more used to be a scholar and an editor. I can't stand the desperate incorporeal poet I was in the years 2001-2013.
I left Italy after the COVID-19 pandemic: brain drain, body drain.
I will not persevere in hiding my sexuality. Sex is both my hub and my engine. In fact, my written art was an acceptable and stylish technique to deny my bodily life (sex, dance, performance, live music, modeling). This technique was insincere, though. And I knew it deep down.
I was severely bullied in my childhood and teens. My pesterers said I was a womanish boy: a flawed freak with a sugary whispering voice. I remade my voice and my body. What am I, actually? A woman proud of her cock + a man proud of his womanly skills. Not all the queerness is visible.
My only Italian literary mentor was Edoardo Sanguineti, but I don't owe him any career help.
My whole artsy life before the duo is an unbalanced preparation to AnimaeNoctis. I don't miss my past life. No throwback is possible. I had to shed my art skin.
I am married to Silvia Marcantoni Taddei.
I do not trust any totalitarian behaviour/belief/entity.
If Communism means Antifascism, I am a Communist. If Communism means complete and lethal revolution, I am not a Communist. I can't join any act of political violence. Bourgeoisie sucks: OK, but may you kill even one fucking bourgeois?
I do not belong to any political matrix.
I do not claim any educational qualification. Of course I have a qualification. I mean: I was used to work with it, but not now.
I think Avant-garde can be an amuseable factory.
The sane showbiz + sexdom world is my world.
I think my body is the first test animal to experiment with.
My identity matters, but my behavior is the very proof of my identity.
It takes caution not to get poisoned and not to poison others.
My activity does not want to be the rampant witness of any system decay. I do not want to serve as the mapper of any volatile decadence. I am basically an entertainer and entertainers entice me.
In my practice, installation and performance are not opposites.
«It is only after you have come to know the surface of things [...] that you can venture to seek what is underneath. But the surface of things is inexhaustible» (Italo Calvino, Palomar). I want to deal with the surface.
My works and acts look for honest visibility.
My masks are not my labels. I can change my masks or avoid them at all. They are not deceptive.
I have experienced a body that has been sick, healthy, fat, thin, muscular, vulnerable, unsexy, desirable, toothless, diagnosed with depression, awkward, athletic, workaholic, inert. I have experienced plenty of body possibilities. My different bodies looked like parts of an illusion I can barely explain. I am not the plain mapper of these things. As of now, this is the 2D me that sums up the 3D one.
None of my images is manipulated. They are consistent with my appearence.
We tend to avoid the pure fiction style. Our art items are pure up-to-date documentaries with a spicy bit of figment. We actually do what we do: deep lust + harder-than-it-seems work.
Apathy is the ultimate thing to deconstruct. More information is forthcoming.
POLYMORPHOUS BUILDS. Objects/items/bodies ---> here
CATALOGHI - LIBRI ILLUSTRATI - RIVISTE
This Is Visual Poetry by Massimo Sannelli (Chapbookpublisher.com, Kingston PA, 2011)
L'Ultima Cena e il suo simbolismo (La Finestra editrice, Lavis 2011), a c. di Mattia Cipriani e Massimo Sannelli
ΣΜΙΛΗ/SMILE, aperiodico, a cura di Fabio Giovinazzo. Il nome, il logo, il progetto grafico e l'impaginazione sono a cura di Massimo Sannelli: il blog di ΣΜΙΛΗ/SMILE
RIOT'S PART, Lotta di Classico, Genova 2020
MOSTRE COLLETTIVE
The Body / Il corpo, a cura di Mara Campaner, Galleria Web Art, Treviso, 12-30 novembre 2011
La Gallery dei peccati : Gola, a cura di Sara Pessato, degliZingari Gallery, Roma, 19 novembre-1° dicembre 2011
Regard, a cura di Daniela Accorsi, Villa Magdalena, Nice (France), 27 novembre 2011-2 gennaio 2012
L'Ultima Cena e il suo simbolismo (La Finestra editrice, Lavis 2011), a c. di Mattia Cipriani e Massimo Sannelli
ΣΜΙΛΗ/SMILE, aperiodico, a cura di Fabio Giovinazzo. Il nome, il logo, il progetto grafico e l'impaginazione sono a cura di Massimo Sannelli: il blog di ΣΜΙΛΗ/SMILE
RIOT'S PART, Lotta di Classico, Genova 2020
MOSTRE COLLETTIVE
The Body / Il corpo, a cura di Mara Campaner, Galleria Web Art, Treviso, 12-30 novembre 2011
La Gallery dei peccati : Gola, a cura di Sara Pessato, degliZingari Gallery, Roma, 19 novembre-1° dicembre 2011
Regard, a cura di Daniela Accorsi, Villa Magdalena, Nice (France), 27 novembre 2011-2 gennaio 2012
MOSTRE PERSONALI
OPERE 2011, Sinergy Art Studio, a cura di Sara Pessato, Roma, 10-22 dicembre 2011
OPERE 2011, Libreria Dal Libraio, Mendrisio (Svizzera), 28 aprile-28 maggio 2012
MOSTRE CURATE DA MASSIMO SANNELLI
Fabio Giovinazzo, Il gesto al lavoro. EBLIG, Genova, dal 25 ottobre 2012.
Fabio Giovinazzo, City Lights Clinamen. Albenga, Biblioteca Civica, 7-28 giugno 2013.
Fabio Giovinazzo, City Lights Clinamen. Genova, Museo di Sant’Agostino, 13-27 dicembre 2013.
Fabio Giovinazzo, City Lights Clinamen. Ronco Scrivia, Biblioteca Civica Tranquillo Marangoni, 22-31 Ottobre 2014.
OPERE ON LINE
OPERE 2011, Sinergy Art Studio, a cura di Sara Pessato, Roma, 10-22 dicembre 2011
OPERE 2011, Libreria Dal Libraio, Mendrisio (Svizzera), 28 aprile-28 maggio 2012
MOSTRE CURATE DA MASSIMO SANNELLI
Fabio Giovinazzo, Il gesto al lavoro. EBLIG, Genova, dal 25 ottobre 2012.
Fabio Giovinazzo, City Lights Clinamen. Albenga, Biblioteca Civica, 7-28 giugno 2013.
Fabio Giovinazzo, City Lights Clinamen. Genova, Museo di Sant’Agostino, 13-27 dicembre 2013.
Fabio Giovinazzo, City Lights Clinamen. Ronco Scrivia, Biblioteca Civica Tranquillo Marangoni, 22-31 Ottobre 2014.
OPERE ON LINE
POLYMORPHOUS BUILDS objects by Massimo Sannelli
info: massimo.sannelli@gmail.com
Sannelli's inspiration comes in and out the (Fluxus) world, among Spoerri, Beuys, Costa, Pisani, Yōko Ono, Marisa Merz, Rama, Horn, Bourgeois. S/He is a musician and an actor, and the Polymorphous Builds are physical, tactile music: partly instruments and partly harmony. Every score is based on tensions and solutions: the ropes and threads keeping Sannelli's works together in balance.
(Silvia Marcantoni Taddei)
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