tag:blogger.com,1999:blog-22094750967255878182024-03-29T04:29:46.925+01:00Massimo SannelliMassimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comBlogger19125tag:blogger.com,1999:blog-2209475096725587818.post-66142252658529604732011-11-30T20:03:00.066+01:002023-09-04T18:58:27.414+02:00<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;"><a href="https://www.massimosannelli.net/2011/11/home.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3072" data-original-width="4096" height="553" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj3dbSgdfQ-Ob5LKqj9AhSoKg43DOO4dXwm0dPTSCuL3Fzfrtp0URkAm6P2u_l0acMe5jL3bLTxO3n1B8FiFysl9s-G1XJsR_vAgoJ6Zb0q_7Gs7vzUDvoTGQx8dgKXdrE0RVDdW8-lDMBqV8M01CXTg2LEd540q4HZc3bcn-lgvFUWCC9ekhhj7XMjek1/w738-h553/BUDAPEST!.jpg" width="738" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: "Courier New", Courier, monospace;"> </span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: "Courier New", Courier, monospace;"> photo: </span><a href="http://www.silviamarcantonitaddei.net" style="font-family: "Courier New", Courier, monospace;">Silvia Marcantoni Taddei</a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>
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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-52547410808384551362011-11-29T00:09:00.085+01:002023-04-04T12:06:28.291+02:00<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;"><a href="https://www.animaenoctis.com/"><img border="0" data-original-height="382" data-original-width="1600" height="93" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGa-gD13lVvCfdNYy9e2Dl_2LfQLWQq9L-1jTOZvfBZApN1HuzGFX0VKggw3fVpD7XQf-zQkkBqU63CbrnPVKWz25i6w_QVsmpYZufbvcEmMVqXzRLcvdpMt5Ns4IKcvifGJ_BbE2PVs4/w385-h93/ANIMAENOCTIS+1.jpg" width="385" /></a></div>
<div class="separator" style="clear: both;"><span style="font-family: courier;"><a href="https://animaenoctis.bandcamp.com/" style="font-size: large;">Music</a> <span style="font-size: large;"> </span></span><a href="https://www.youtube.com/channel/UCOrBI4Z2mipF_s2fLjudJKQ" style="font-family: courier; font-size: large;">YouTube</a> <span style="font-family: courier; font-size: large;"> </span><a href="https://vimeo.com/animaenoctis" style="font-family: courier; font-size: large;">Vimeo</a><span style="font-family: courier; font-size: large;"> </span><a href="https://www.facebook.com/animaenoctisduo" style="font-family: courier; font-size: large;">Facebook</a><span style="font-family: courier; font-size: large;"> </span><a href="https://www.instagram.com/animaenoctis.duo/" style="font-family: courier; font-size: large;">Instagram</a></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.animaenoctis.com/2021/08/ninabyron.html" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="216" data-original-width="651" height="129" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkjElFdQj2X5jkapuG8fAKL2ZyVe4XegymFTvsMRkDq5rwKUgb9uV1XjIvB4ixnf3NkvWnYglaajMKEvxjGloy7s6_GG1vCuObkGxutQCh0gLIDaGnduyx8n_ZmF1yym1UWscxvQa_ojJ5VMfmSy8uTIoYKhw5Dt_bGktaFVBR-klqTilCMrZrnnRE2w/w388-h129/TESTATA.JPG" width="388" /></a></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><a href="https://www.massimosannelli.net/2011/09/read.html" style="font-family: courier;"><span style="font-size: xx-large;"><b>R E A D M E</b></span></a></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><a href="https://www.massimosannelli.net/2010/09/lottadiclassico.html" style="font-family: courier; font-size: large;">LOTTA DI CLASSICO: E-PUBLISHING & MUSIC</a></div><div class="separator" style="clear: both;"><a href="https://www.massimosannelli.net/2011/01/spettacolo.html" style="font-family: courier; font-size: large;">show [before AnimaeNoctis]</a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://www.massimosannelli.net/2020/12/POLYMORPHOUSBUILDS.html" style="font-family: courier;">polymorphous builds</a></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="http://www.massimosannelli.blogspot.com/2013/01/bibliografia.html" style="font-family: courier;">[e-]books</a></span> <a href="https://www.massimosannelli.net/2011/11/articoli.html" style="font-family: courier; font-size: large;">paper texts</a> <a href="https://www.massimosannelli.net/2009/02/testionline.html" style="font-family: courier; font-size: large;">online texts</a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.massimosannelli.net/2011/11/modeling.html" style="font-family: courier; font-size: large;">modeling</a> <a href="https://www.massimosannelli.net/2010/03/foto.html" style="font-family: courier; font-size: large;">photo</a></div><div class="separator" style="clear: both; text-align: center;"><a href="http://www.massimosannelli.blogspot.com/2009/11/bio.html" style="font-family: courier;"><span style="font-size: large;">contacts</span></a></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><br /></div></div><div style="text-align: center;">
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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-54428737537330153992011-11-28T11:46:00.131+01:002024-01-29T13:01:13.690+01:00<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2023/05/bm.pdf" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3468" data-original-width="4624" height="429" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP1Uv3IlfxWVNRhT3zKLkjIi4lTKjfRzcQUbWXVshikiikNa5arIHdk51oRv8ncxjPjsEljC3tl1PQOi78d67pTmv9DYdtqxNiFUtJviEWFLK0fYTotO79tUAxp3gqkU1WUGKb07BLXgG3yPp6hwJ6l4Jy1L5JW5Ri9IBwjVmObpx3trOiSHeh7vdzwzun/w573-h429/20230516_144036.jpg" width="573" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p><b style="font-family: courier; font-size: large;"><span style="color: white;">BOOK ME</span></b><b style="color: red; font-family: courier; font-size: large;"> ---> <a href="https://lottadiclassico.files.wordpress.com/2023/05/bm.pdf">a portfolio</a> [2023]</b></p><p><b style="font-family: courier; font-size: large;"><span style="color: white;">E-BOOKS by</span></b><b style="font-family: courier; font-size: large;"> <a href="http://www.silviamarcantonitaddei.net" style="color: red;">Silvia Marcantoni Taddei</a><span style="color: white;">:</span></b><b style="color: red; font-family: courier; font-size: large;"> </b><span style="font-family: courier; font-size: large;"><a href="https://lottadiclassico.files.wordpress.com/2020/11/bin.pdf">BORN IN NAY</a> </span><span style="font-family: courier; font-size: large;"><a href="https://lottadiclassico.files.wordpress.com/2021/05/metamourphose.pdf">métAMOURphose</a> </span><span style="font-family: courier; font-size: large;"><a href="https://lottadiclassico.files.wordpress.com/2022/07/aaa.pdf">ALIEN APOLLO APPAREL</a></span></p><p><br /></p><p><span style="font-family: courier; font-size: large;"><span style="color: red;"><b>EXHIBITIONS</b></span></span></p><p><span style="font-family: courier; font-size: medium;">July 2021: AnimaeNoctis <a href="https://youtu.be/6OnChltXdbw">artwork</a> in Bologna, Cheap Festival</span></p><p><span style="font-family: courier; font-size: medium;">October 2021: <i>Love & Chaos</i>, The Alchemy Experiment, Glasgow (catalogue The Alchemy Experiment, 2021)</span></p><p><span style="font-family: courier; font-size: medium;">October 2021: <i>Queer Photography</i>, The Ledward Centre, Brighton</span></p><p><span style="font-family: courier; font-size: medium;">May 2022: <i>LGBTQIAPK!</i>, Ospizio Giovani Artisti, Rome</span></p><p><span style="font-family: courier; font-size: medium;">April 2023: <i>La Collezione Queer II</i>, Ospizio Giovani Artisti, Rome</span></p><p><span style="font-family: courier; font-size: medium;">August 2023: <i>IV Mail Art JazzÁndaluz</i>, Carnicerías Reales, Priego de Córdoba</span></p><p><span style="font-family: courier; font-size: medium;">August 2023: <i>Speak Up, Be Heard</i>, Alliance Française, Ibadan</span></p><p><span style="font-family: courier; font-size: medium;">October 2023: <i>Corpologie VI</i>, </span><span style="font-family: courier; font-size: medium;">Ospizio Giovani Artisti, Rome</span></p><p><span style="font-family: courier; font-size: medium;"></span></p><p><span style="font-family: courier; font-size: medium;">April 2024: <i>Adam & Evidence</i>, Atelier Blumentopf, Vienna</span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="color: red; font-family: courier; font-size: large;"><b>MAGAZINES & CATALOGS</b></span></p><p style="text-align: left;"><span style="font-family: courier; font-size: medium;">January 2024: </span><span style="font-family: courier; font-size: large;">«N</span><span style="font-family: courier; font-size: medium;">INABYRON» #9</span><span style="font-family: courier; font-size: large;"> special issue: <a href="https://lottadiclassico.files.wordpress.com/2024/01/nb9.pdf">CARNIVAL</a></span></p><p style="text-align: left;"><span style="font-family: courier; font-size: medium;">Spring-Summer 2021: <i>Vague Vagrant Vagina</i>, <a href="https://issuu.com/feministspacesjournal/docs/feministspaced_4.1_finaldraft_issuu">«Feminist Spaces»</a>, 4.1, pp. 60-63</span></p><p style="text-align: left;"><span style="font-family: courier; font-size: medium;">October 2021: <i>Oh, Alcove's DNA</i>, «Love and Chaos», The Alchemy Experiment, 2021, pp. 87-88</span></p><p style="text-align: left;"><span style="font-family: courier; font-size: medium;">October 2022: <i>Vague Vagrant Vagina</i>, «SEAS' ZINE: Queer Photography», SEAS, pp. 108-109</span></p><p style="text-align: left;"><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="color: red; font-family: courier; font-size: large;"><b>OTHER</b></span></p><p><span style="font-family: courier; font-size: medium;"></span></p><p><span style="font-family: courier; font-size: medium;">6 photos from <i>Frank'n'Further </i>series are awarded as Best Cosplay at <a href="https://filmfreeway.com/vidnasties">Video Nasties Genre FilmFest</a>, London (October 2023)</span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; 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font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p>Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-55910781223669577542011-11-05T11:12:00.005+01:002022-08-20T18:15:00.874+02:00<div class="MsoNormal" style="mso-pagination: none; text-align: justify;"><i style="font-family: courier;"><span style="letter-spacing: -0.2pt;">Lo spazio
del caos. Henri Michaux</span></i><span style="font-family: courier; letter-spacing: -0.2pt;">,
«Poesia», 77 (1994), pp. 59-70.</span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Joachim du Bellay. La poesia dell’eterno</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, «Poesia», 90 (1995),
p. 53-58.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a J. Bril, <i>La traversée mythique</i>, «Maia», 3 (1995),
pp. 444-447.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Fenomenologia di Amore e stile lirico nel «Teseida»</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, «Medioevo Romanzo», 3
(1996), pp. 437-445.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Jaufre Rudel. L’Amor lontano</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, «Poesia», 93 (1996),
pp. 37-44.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a <i>Il libro dei XXIV Filosofi</i>, «Rivista di
storia e letteratura religiosa», 3 (1996), pp. 709-710.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">L’addio di Cacciatore</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, «Resine», 69-70
(1996), pp. 84-85.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Il mito e la storia</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>Una festa per Montale</i>, a c. di S.
Morando, Comune di Savona 1997 (3 pp. non numerate).<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a A. Pulega, <i>Amore cortese e modelli teologici</i>,
«Rivista di storia e letteratura religiosa», 1 (1997), pp. 179-181.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a G. Dreifuss,
<i>Maschio e femmina li creò</i>, «Rivista
di storia e letteratura religiosa», 3 (1997), pp. 750-751.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a G. Agamben, <i>Categorie italiane</i>, «Lettere italiane»,
XLVIII (1997), pp. 533-535.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">La gnosi di Luzi</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, «Resine», 72 (1997), pp. 69-70.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a S. Weil, <i>I Catari e la civiltà mediterranea</i>,
«Rivista di storia e letteratura religiosa», 3 (1998), pp. 683-684. Altre
stesure in «Medioevo Romanzo», 1 (1998), pp. 157-158 e «La Rassegna della
letteratura italiana», 1 (1998), pp. 183-184.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Il rischio etico</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, «Resine», 75 (1998), pp. 87-88. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a G. Barbaglia-A. Tagliaferri,
<i>Uno e due</i>, «Lettere italiane», LIII
(1999), pp. 332-334.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a <i>Guillelmi a Sancto Theodorico</i> <i>Opera omnia</i>, «Rivista di storia e
letteratura religiosa», 3 (1999), pp. 603-605.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Risvolto di copertina di
P. Zallio, <i>Gino Grimaldi. Schizzi di Eros</i>,
G. Laterza, Bari 2000.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a M. Luzi, <i>La Passione</i>, «Semicerchio», XXII (2000),
pp. 121-122. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a
M. Montanari, <i>Simbolismo ed esegesi…</i>,
«La Rassegna della letteratura italiana», 1 (2000), p. 107. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; tab-stops: list blank 46.35pt; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a E. De Signoribus, <i>Principio
del giorno</i>, «Semicerchio», XXIII (2000), p. 70. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; tab-stops: list blank 46.35pt; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a E. Salvaneschi, <i>Poesia</i>,
«Semicerchio», XXIII (2000), p. 74. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; tab-stops: list blank 46.35pt; text-align: justify;">
<span style="font-family: courier;"><i><span lang="FR" style="letter-spacing: -0.2pt; mso-ansi-language: FR; mso-bidi-font-weight: bold;">Ce
qu’on dit aux fleurs à propos de poètes</span></i><span lang="FR" style="letter-spacing: -0.2pt; mso-ansi-language: FR; mso-bidi-font-weight: bold;">,
in AA.VV., <i><span style="text-transform: uppercase;">Á</span>kusma. </i></span><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Forme della poesia
contemporanea</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, Metauro, Fossombrone 2000, pp. 189-191.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; tab-stops: list blank 46.35pt; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; tab-stops: list blank 46.35pt; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Biologia del nuovo. Dal
tema alla «forma»</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, «Atelier», 24 (2001), pp. 39-40. Ristampa identica: «Capoverso», 5
(2003), pp. 75-76. Ristampa con ampliamenti, in AA.VV., <i>Suoni in corso. Percezione ed espressione dell’uomo tecnologico</i>,
Mittelfest, Cividale del Friuli 2002, pp. 171-173. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; tab-stops: list blank 46.35pt; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione ad AA.VV., <i>Santità ed
eremitismo…</i>, «La Rassegna della letteratura italiana», 2 (2001), pp.
462-463.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Nove recensioni, «La
Rassegna della letteratura italiana», 1 (2002), pp. 175-177, 179, 185-187, 195.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensioni a F. Lillo
Redonet, <i>Palabras contra el dolor</i>; P.
Gatti, <i>Un Glossario bernense</i>, «Maia»,
3 (2002), pp. 668-670, 674-675. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Sei recensioni, «La
Rassegna della letteratura italiana», 2 (2002), pp. 507-508, 519, 540, 545.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensioni: F. Stella, <i>Poesia e teologia</i>; K. Waaijman, <i>L’espace mystique du Carmel</i>, «Rivista di
storia e letteratura religiosa», 3 (2002), pp. 584-585, 589-590.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Sette recensioni, «La
Rassegna della letteratura italiana», 1 (2003), pp. 163-164, 166, 172-173, 183,
188.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Contemporanei al nulla. Da Pasolini a Sanguineti e
il dopo</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">,
in AA.VV., <i>Fisica e metafisica
dell’eresia</i>, La Finestra, Lavis 2003, pp. 165-171.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Il gioco del massacro. Appunti sui contemporanei</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, «Smerilliana», 3
(2004), pp. 363-370.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Dieci recensioni, «La
Rassegna della letteratura italiana», 1 (2004), pp. 67-69, 72, 73, 77-78, 80,
81, 85.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Lingua in exitu. La «simulazione di parlato» di
Testori</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">,
in <i>Le</i> <i>forme del narrare</i>, Polistampa, Firenze 2004, vol. I, pp. 601-608. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Cinque scansioni della Diaria</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in Elena Borgatti, <i>La diaria del danzatore</i>, L’impronta,
Mori 2004, pp. 105-107.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione a Giuliano
Mesa, <i>Nuvola neve</i>, «Semicerchio»,
30-31 (2004), pp. 137-138.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Recensione ad Elio
Grasso, <i>Tre capitoli di fedeltà</i>,
«Atelier», 36 (2004), pp. 112-113.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><span style="font-family: courier;">Cinque recensioni, «La
Rassegna della letteratura italiana», 2 (2004), pp. 467, 467-468, 472, 475-476,
476-477.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt;">Raccolta,
canzoniere, Liederbuch</span></i><span style="letter-spacing: -0.2pt;">, in <i>Poesía latina medieval (siglos V-XV)</i>, al
cuidado de M.C. Díaz y Díaz y J. M.
Díaz de Bustamante, Edizioni del Galluzzo, Firenze 2005, pp. 303-307.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Recensione ad A. Djebar,
<i>Queste voci che mi assediano</i>,
«Paginazero», 7 (2005), p. 60. </span><span style="letter-spacing: -0.2pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="letter-spacing: -0.2pt;"><span style="font-family: courier;">Postfazione a Paolo Fichera, <i>Lo speziale</i>,
Lietocolle, Faloppio 2005 (tre pp. non numerate).<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Della proliferazione e di altro</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">,<i> </i>postfazione a Patrizia Bianchi, <i>A lato dell’immagine</i>, Ed. Tigullio Bacherontius, Santa Margherita
Ligure 2005, pp. 63-70.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Appunto</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">, in Marco Milone, </span><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Nel labirinto del delirio</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">,
Zona, Arezzo 2006, pp. 3-5.</span><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Due tesi</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>3x2</i>.
Fara editore, Rimini 2006, pp. 404-407. <o:p></o:p></span></span></div>
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<span style="font-family: courier;"><br /></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">La pelle</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>Le
tentazioni di Marsia</i>, Nuova Frontiera, Salerno 2007,pp. 50-53.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">O, I, D</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in Caterina Camporesi,
<i>Solchi e nodi</i>, Fara, Rimini 2008, pp. 7-11.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Al Lettore</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in Angelo Petrelli, <i>Molokh</i>,
peQuod, Ancona 2008, pp. 5-8.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Tattoos</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in <i>Dall’Adige
all’Isonzo. Poeti a Nord Est</i>, Fara, Rimini 2008.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Alma muta murata</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in Patrizia Bianchi, <i>La
murata</i>, La Camera Verde, Roma 2009, pp. 13-14.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Il Piccolo Elefante</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>In quel
punto entra il vento. La poesia di Remo Pagnanelli nell’ascolto di oggi</i>,
Quodlibet, Macerata 2009, pp. 139-142.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Luca Giovanni Pappalardo</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>Poesia
di strada. XI edizione</i>, Wizarts, Porto S. Elpidio 2009, pp. 64-65.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Lettera sull’intensità</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in Maria Pina Ciancio,
<i>Storie minime</i>, Fara, Rimini 2009, pp. 41-45.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Salvezza in Dante,
salvezza di Dante</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>Salvezza e impegno</i>, a c. di A. Ramberti, Fara, Rimini
2010, pp. 358-360.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Postfazione</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in Vincenzo D’Alessio,
<i>Profili critici</i>, Fara, Rimini 2010, pp. 227-230. <o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Terza lettera
sull’intensità</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in Marco Statzu, <i>Tra disastri e desideri</i>, Fara, Rimini 2010, pp.
79-81.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Una nuova «terza
persona»</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">,
in Luca Artioli, <i>Suture</i>, Fara, Rimini 2011, pp. 7-13.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Dante, passato e
presente</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">,
in «Lógoi» (Liceo Pantaleo, Castelvetrano), 2011.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Le rane</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>Il
valore del tempo nella Scrittura</i>, a c. di A. Ramberti, Fara, Rimini 2011.<o:p></o:p></span></span></div>
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<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">Tre schegge dantesche</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>Corviale
cerca poeti</i>, Biblioteche di Roma, Roma 2012, pp. 50-51.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i><span style="letter-spacing: -0.2pt;">Il canto italiano ed «ea quae sunt». Sul
sentimento nazionale nel secondo Novecento</span></i><span style="letter-spacing: -0.2pt; mso-bidi-font-weight: bold;">, in AA.VV., <i>Letteratura e sentimento
nazionale nel nome di Francesco De Sanctis</i>, a c. di N. De Giovanni,
Nemapress, Alghero 2012.</span><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i>Prima dell’anteprima</i>, in Nino Di Paolo, <i>Anteprima della stoffa
dell’universo</i>, Montedit, Melegnano 2012, pp. 5-8.<o:p></o:p></span></div>
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<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;">Introduzione a Marina Pizzi, <i>Cantico di
stasi</i>, Cantarena, Genova 2013 [on line <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8000-per-marina-pizzi.html">qui</a></b>]<o:p></o:p></span></div>
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<span style="font-family: courier;">Introduzione a Riri Negri, <i>Restauri</i>, Cantarena, Genova
2013.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;">Aleksandr Balagura-Massimo Sannelli, <i>Life
Span of the Object in Frame</i>, propos recueillis par C. Guénot et P. Moretti, Journal Daily FID (Marseille), 5 Juillet 2013, p. [5]<o:p></o:p></span></div>
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<span style="font-family: courier;"><i>Il </i>Diario ottuso<i> di Amelia Rosselli. Una introduzione incongrua</i>, <span style="letter-spacing: -0.2pt;">«Il lettore di provincia», 142 (2014), pp.
133-136.</span><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i>De Cynoedia</i>,<i> </i>in Emanuela Crescentini-Chiara Daino, <i>Dudelei</i>, Lulu 2014.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i>Virgilio sordocieco</i>, in <i>Pensare oltre l’ostacolo della parola</i>,
a c. di A. Accattino e L. Giuranna, Mimesis, Milano 2014, pp. 58-60.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i>Monologo per Adriano Accattino</i>, in <i>Conoscete Adriano Accattino?</i>, a
c. di R. Perrotta e L. Giuranna, Mimesis, Milano 2014, pp. 127-129.<o:p></o:p></span></div>
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<span style="font-family: courier;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><i>Métamorphoser l’ancienne “blesmure”</i><span>, in </span><i>Les philosophes et la Guerre</i><span>, éd. par S. Leclercq, Sils Maria, Mons 2015.</span><br />
<span><br /></span></span></div>
<div class="MsoNormal" style="mso-pagination: none; text-align: justify;">
<span style="font-family: courier;"><span>Introduzione ad Emilio Capaccio, <i>Voce del paesaggio</i>, Kolibris, Ferrara 2016.</span><br />
<span><br /></span>
<span>Introduzione a Nuno Júdice, <i>Formule di una luce inesplicabile</i>, Kolibris, Ferrara 2017.</span><br />
<span>Introduzione a Manuel Alegre, <i>Nulla è scritto</i>, Kolibris, Ferrara 2017.</span><br />
<span>Introduzione a Guy Goffette, <i>Un mantello di fortuna</i>, Kolibris, Ferrara 2017.</span><br />
<span>Introduzione a<i> Liguria. Gioielli sul mare. Jems by the Sea</i>, Tormena, Genova 2017.</span><br />
<span><span><i>Lasciate divertire Joë Bousquet</i>, in </span><span><span style="letter-spacing: -0.266667px;">«Il lettore di provincia», 149 (2017), pp. 61-64.</span></span></span><br />
<span><span><span style="letter-spacing: -0.266667px;">Introduzione a Natalia Fernández Díaz, <i>Figli di sarcoma</i>, Nor, Ghilarza 2017, pp. 7-9.</span></span></span><br />
<span><br /></span>
<span>Introduzione a Ana Luísa Amaral, </span><i>Voci</i><span>, Kolibris, Ferrara 2018.</span><span></span><br />
<span>Introduzione a Silvia Belcastro, <i>Nella città di formiche di luce</i>,</span><span> Kolibris, Ferrara 201</span><span>8.</span><br />
<span><span>Introduzione a Melita Richter, <i>Alcune ragioni minime</i>,</span><span> Kolibris, Ferrara 201</span><span>8. </span></span><br />
<span>Introduzione a Claire Askew, <i>Questo cambia le cose</i>,</span><span> Kolibris, Ferrara 201</span><span>8.</span><br />
<span><span><span><br /></span></span></span>
<span><span><span>Introduzione a Paula Meehan, <i>Geomantico</i>,</span><span> Kolibris, Ferrara 2019</span><span>.</span></span></span><br />
<span>Introduzione e<i> </i>un saggio (<i>Revolvere saxa</i>)<i> </i>in <i>Come una statua nella nebbia dell'epica</i>,<i> </i>Kolibris, Ferrara </span><span>2019.</span><span></span><br />
<span><span>Introduzione ad Omer Massem, <i>Materia di lentezza</i>,</span><span> Kolibris, Ferrara 2019</span><span>.</span></span><br />
<span><span>Introduzione a Khaled Youssef, <i>Un soleil que j’essaie d’écrire. Poésie, prose et photographie / Un Sole che cerco di scrivere. Poesia, prosa e fotografia,</i> Kolibris, Ferrara 2019.</span></span><br />
<span><i>Quaestio de Deo bibliothecario</i>, "La Biblioteca di via Senato", ottobre 2019.</span><br />
<span>Risvolto di copertina di <i>Alta Val d'Orba</i>, a c. di Aldo e Vittorio Laura, Tormena, Genova 2019.</span></span></div><div class="MsoNormal" style="mso-pagination: none; text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="mso-pagination: none; text-align: justify;"><span style="font-family: courier;"><i>Descrizione facile del fondo Guidoni</i>, "La Riviera Ligure", 93-94 (2021), pp. 5-8.<br />
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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-49547661397652273042011-11-04T13:32:00.027+01:002021-07-12T17:36:47.130+02:00<div class="MsoNormal" style="margin-bottom: 0cm; margin-left: 1.0cm; margin-right: 1.0cm; margin-top: 0cm; margin: 0cm 1cm; text-align: justify;">
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<div style="text-align: right;"><div align="right" class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 15.85pt; margin: 0cm 1cm 0.0001pt;"><div align="right" class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 15.85pt;"><div align="right" class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; color: white; font-family: courier;"><span style="font-size: x-large;"><br /><br /></span></span></div><div align="right" class="MsoNormal" style="background-attachment: initial; 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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comGenoa, Italy44.4056499 8.946255999999948544.2242779 8.6235324999999481 44.5870219 9.2689794999999489tag:blogger.com,1999:blog-2209475096725587818.post-32816819914864648262011-09-04T16:08:00.174+02:002024-03-28T13:41:14.182+01:00<div class="separator" style="clear: both; text-align: center;"><br /></div><p><span style="font-family: courier; font-size: medium;">I was born on 27th November 1973. </span></p><p><span style="font-family: courier; font-size: medium;">I am a multimedia artist.</span></p><p><span style="font-family: courier; font-size: medium;">I am not a bourgeois. My ancestors were countrymen and tailors.</span></p><p><span style="font-size: medium;"><span style="font-family: courier;">I pay respect to <b>G-D</b>. </span></span></p><p><span style="font-family: courier; font-size: medium;">I was used to write poems in my mothertongue (2001-2013: fully rejected phase; 2016-2021 + <a href="https://lottadiclassico.files.wordpress.com/2023/07/udus.pdf">2023</a>: this is the only <a href="https://www.massimosannelli.net/2013/01/bibliografia.html">phase</a> I want to be read).</span></p><p><span style="font-family: courier; font-size: medium;">I am no more used to write poems in my mothertongue.</span></p><p><span style="font-family: courier; font-size: medium;">My only Italian mentor was Edoardo Sanguineti. </span></p><p><span style="font-family: courier; font-size: medium;">I am a multimedia artist in <a href="http://www.animaenoctis.com">AnimaeNoctis</a> duo. </span></p><p><span style="font-size: medium;"><span style="font-family: courier;">My whole art life before </span><a href="http://www.animaenoctis.com" style="font-family: courier;">AnimaeNoctis</a> <span style="font-family: courier;">is but an adequate preparation to the art life in <a href="http://www.animaenoctis.com">AnimaeNoctis</a> duo.</span></span></p><p><span style="font-family: courier; font-size: medium;">I do not trust any totalitarian behaviour/belief/entity. </span></p><p><span style="font-family: courier; font-size: medium;">I am vegetarian.</span></p><p><span style="font-family: courier; font-size: medium;">I do not belong to any political matrix. I show my nudity to be credible as a <a href="https://www.massimosannelli.net/2011/11/modeling.html">communicating</a> bodily worker. Sometimes my nudity honours people who risk their lives or decided to be more radical. </span></p><p><span style="font-family: courier; font-size: medium;">I show my body and my body is shown because my body feels pleasure. </span></p><p><span style="font-family: courier; font-size: medium;">I do not claim any educational qualification. Of course I have a qualification. I mean: I used to work with it. Not now.</span></p><p><span style="font-family: courier; font-size: medium;">I think Avantgarde can be an amuseable Factory.</span></p><p><span style="font-family: courier; font-size: medium;">I love the entertainment world and I have always loved it. I love the fashion world as well.</span></p><p><span style="font-family: courier; font-size: medium;">I think my body is the first test animal to experiment with. This experiment is called <i>performance art</i>. It is Avantgarde too. Performance comes to undo the toxic inner obstacles. </span></p><p><span style="font-family: courier; font-size: medium;">It takes caution not to get poisoned and not to poison others. </span></p><p><span style="font-family: courier; font-size: medium;">My art activity does not want to be the rampant witness of any system decadence. My art belongs in a material world. I trust the goodness of world matter. I do not want to serve as the mapper of any decadence. </span></p><p><span style="font-family: courier; font-size: medium;">In my practice, installation and performance are not opposites. Singing and speaking are not opposites. </span></p><p><span style="font-family: courier; font-size: medium;">Your observation affects my reality. In the meantime, I unapologetically dance.</span></p><p><span style="font-family: courier; font-size: medium;">«It is only after you have come to know the surface of things [...] that you can venture to seek what is underneath. But the surface of things is inexhaustible» (Italo Calvino, <i>Palomar</i>).</span></p><p><span style="font-family: courier; font-size: medium;">My mask is not my label. </span></p><p><span style="font-family: courier; font-size: medium;">I have experienced a body that has been sick, healthy, fat, thin, muscled, diagnosed with depression and eating disorders. I have experienced plenty of body possibilities. My different bodies looked like parts of an illusion I can barely explain. I am not the plain mapper of such things. As of now, this is the <a href="https://www.massimosannelli.net/2010/03/foto.html">2D me</a> that sums up the 3D one.</span></p><p><span style="font-family: courier; font-size: medium;"><a href="https://www.silviamarcantonitaddei.net/">Silvia</a> and I work t</span><span style="font-family: courier; font-size: large;">ogether with all the world Eros-Artists: let us affirm a world where Eros is more normal than war.</span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p><p><span style="font-family: courier; font-size: medium;"><br /></span></p>Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-11612884478194035292011-08-03T17:38:00.005+02:002021-07-12T11:13:46.473+02:00<div style="text-align: left;">
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<div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; text-align: justify;"><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; text-align: right;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">---> <a href="https://www.massimosannelli.net/2011/07/news.html">NEWS</a></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><span style="background-color: black; color: white; font-family: courier; font-size: 17.3333px;">duemilaventuno</span><br style="background-color: black; color: white; font-family: courier; font-size: 17.3333px;" /><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Marzo : <a href="https://www.youtube.com/watch?v=EEwYtvgobYI">Perché Pasolini 99 anni dopo</a> / Giugno : <a href="https://www.lgbtqpositivevoices.org/">LGBTQ+ Positive Voices</a>, a cura di Ash Green / Bologna, luglio 2021 : affissioni di <a href="https://www.cheapfestival.it/post-call-for-artists-2021-selected-artists/">Cheap</a></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilaventi</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Brunate, 17 gennaio 2020, Villino Rubini : proiezione dell'<i>Anima nel ventre</i> / Genova, 15 febbraio 2020, Teatro dell'Ortica : <i>Robinson</i>, di e con Nicoletta Tanghèri, video di Fabio Giovinazzo, musica di scena di Massimo Sannelli</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemiladiciannove</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Milano, 16-17 febbraio 2019 : lezioni per giovani attori, presso l’Accademia Superiore Nuovo Cinema / Genova, 30 aprile 2019 : anteprima dell'<i>Anima nel ventre</i> / Roma, luglio 2019 : Fuorinorma, proiezione dell'<i>Anima nel ventre</i> / Roma, 11 ottobre 2019 : Cinema-Teatro Flavio (rassegna Giano Bifronte), prima nazionale del <i>Ponte della vergogna</i> / Busto Arsizio, Galleria Boragno, 18-26 ottobre 2019 : <i>Cartoline per Leopardi </i>/ Genova, 16 novembre 2019, Stanza della poesia : proiezione dell'<i>Anima nel ventr</i>e </span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemiladiciotto</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Roma, 22 febbraio 2018, La Camera Verde, esposizione permanente della collana Metra, a cura di Giovanni Andrea Semerano; tavole di Matias Guerra / Roma, 17 aprile 2018, Cinema Trevi : proiezione dell’<i>Arte del Fauno</i>, regia di Fabio Giovinazzo, musica del gruppo PANE / Ferrara, 9 maggio 2018 : presentazione di <i>Nella città di formiche di luce</i> di Silvia Belcastro / Genova, 9 giugno 2018, Festival Internazionale della Poesia : presentazione di <i>ΣΜΙΛΗ/SMILE</i>, #5 / Genova, 12 giugno 2018, Biblioteca Brocchi : poesie sul mare / Genova, 25 settembre 2018, Aula Magna (via Balbi 2) : Omaggio a Mario Novaro / Roma, 11 ottobre 2018, Cinema Azzurro Scipioni : <i>L’Arte del Fauno</i> / Genova, 9 novembre 2018, Biblioteca Brocchi : poesie per la fine della I Guerra Mondiale / Genova, 24 novembre, Stanza della Poesia : anteprima di <i>12 cm di tacco</i>, regia di Fabio Giovinazzo, musica di Massimo Sannelli / Bologna, 14 dicembre 2018, Accademia di Belle Arti, Festival Metacinema : <i>L’Arte del Fauno</i></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemiladiciassette</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Genova, 18 gennaio 2017, Museo dell’Attore : proiezione di Kinek ìrod ezt? / Genova, 19 gennaio 2017, Cineclub Fotovideo Genova : proiezione di Monologo di Palinuro / Genova, 24 gennaio 2017, Auditorium San Salvatore : conferenza di Vittorio Laura e Massimo Sannelli su Elisabetta d’Austria a Genova / Genova, 3-4 febbraio 2017, Teatro Garage : Faustus, di e con Max Manfredi / Torino, 7 marzo 2017, Caffè Basaglia : proiezione di Kinek ìrod ezt? / Torino, 16-17 marzo 2017, Film Commission : casting di Ai confini della vanità / Genova, 2 maggio 2017, Altrove-Teatro della Maddalena : anteprima del film L’Arte del Fauno, a cura di Genova-Liguria Film Commission, FainàlFilm e Festival internazionale di poesia / Genova, 6 luglio 2017, Banco di Chiavari, salone di rappresentanza : Vittorio Laura, l’editore Gian Marco Tormena e Massimo Sannelli presentano Hôtel de la Croix de Malte / Arco, 9 settembre 2017 : Conferenza Assemblea ACEDS / Camaiore, 16 settembre 2017 : evento finale del Premio Camaiore / Genova, 24 ottobre 2017, Palazzo della Meridiana : presentazione di Shipping and Trading di Giovanni Novi, edito da Tormena / Como, 28 ottobre 2017 : evento finale del concorso Scrittori dentro / Genova, 31 ottobre 2017, Palazzo della Regione, evento per Camillo Sbarbaro, a cura della Fondazione Novaro / Genova, 11 dicembre 2017, Circolo Tunnel : presentazione di Shipping and Trading di Giovanni Novi, edito da Tormena / Genova, 21 dicembre 2017, Stanza della poesia : presentazione del numero 4 di SMILE </span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilasedici</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Milano, 25 gennaio 2016, Spazio Congressi (Eataly) : presentazione del progetto Artisti dentro, con Lella Costa / Roma, 5 febbraio 2016, Tempio di Adriano : Ritratti di poesia. Massimo Sannelli rappresenta le Edizioni Kolibris / Roma, 27 febbraio 2016, La Camera Verde : presentazione di Intendyo / Genova, 5 marzo 2016, Palazzo della Borsa: Grande ballo in stile ‘800 / La Spezia, 11 marzo 2016, Museo Diocesano : Massimo Sannelli legge il poema di Massimo Battolla sulla Pasqua / Genova, 12 aprile 2016, Galleria Incantations : proiezione di Monologo di Palinuro di Fabio Giovinazzo / Genova, 13 aprile 2016, Libreria Bookowski : anteprima dell’Arte del Fauno e presentazione della rivista "Segnali di confine" / Genova, 15 aprile 2016, Associazione Artelier : presentazione dell’Albero delle pere, di Silvia Scala, letture di Lucia Vita e Massimo Sannelli / Forlì, 25 aprile 2016, Parco Urbano: premiazione del concorso Come farfalle / Genova, 10 maggio 2015, Club Amici del Cinema : proiezione di Monologo di Palinuro di Fabio Giovinazzo / Genova, 22 maggio 2016, Teatro Carlo Felice : concerto-aperitivo, musica di Copland e Tagliamacco, testo introduttivo di Massimo Sannelli / Genova, 10 giugno 2016, Zenzero (ass. Arci) : presentazione dell’Albero delle pere, di Silvia Scala / Cagliari, 7-9 ottobre 2016 : Festival-Premio Emilio Lussu / Genova, 13 ottobre 2016, Stanza della poesia : presentazione dell’Albero delle pere, di Silvia Scala / Palermo, 16 ottobre 2016 : Festival delle Letterature Migranti. Presentazione dell’antologia MIGRATIONS, pubblicata da 66thand2nd (Roma) / Ponzano Monferrato, 17-22 ottobre 2015, laboratorio teatrale di Massimo Sannelli durante I sentieri dello Spirito, a cura di ALERAMO Onlus / Milano, 26 ottobre 2016, Casa di reclusione di Bollate : evento finale del concorso "Scrittori dentro" / Genova, 24 novembre 2016, Cineclub Fotovideo : proiezione di Monologo di Palinuro / Milano, 3 dicembre 2016, Borsa : evento di poesia, a cura di Tomaso Kemeny / Genova, 15 dicembre 2016, Biblioteca Civica Berio : evento per Massimo Battolla / Genova, 17 dicembre 2016, Stanza della poesia : proiezione della versione definitiva di Kinek ìrod ezt? di Fabio Giovinazzo / Genova, 30 dicembre 2016, Quaalude : Lucia Vita e Massimo Sannelli leggono le poesie di Silvia Scala</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilaquindici</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Rimini, 13 gennaio 2015, Cineteca : proiezione del Rivoluzionario di Denis Astolfi / Genova, 16 gennaio 2015, Palazzo Ducale, Sala Borlandi : presentazione di Lettera di ragguaglio del passaggio di S.M. Cattolica-Filippo V a Genova, a c. di Vittorio Laura e Massimo Sannelli (Tormena, 2014) / Genova, 21 febbraio 2015, Istituto Chiossone : Parole senza colpa, concerto per Amelia Rosselli, composizioni di Roberto Tagliamacco per soprano e mezzosoprano, voce recitante Massimo Sannelli / Rimini, 27 febbraio 2015, Cineteca : nuova proiezione del Rivoluzionario di Denis Astolfi / Milano, 28-29 marzo 2015 : lezioni per giovani attori, presso l’Accademia Superiore Nuovo Cinema / Rimini, 31 marzo 2015, Cineteca : quarta proiezione del Rivoluzionario di Denis Astolfi / Genova, 2 aprile 2015, Palazzo Rosso : inaugurazione della mostra di fotografia di Fabio Giovinazzo, con un testo di Massimo Sannelli / Milano, 11 aprile 2015 : riprese del teaser di Ai confini della vanità, regìa di Giorgio Molteni / Genova, 25 maggio 2015, Club Amici del Cinema : anteprima di Monologo di Palinuro di Fabio Giovinazzo, con Aleksandr Balagura e Massimo Sannelli / Moncalvo, 30 maggio 2015, Teatro : La barbera è femmina. Evento per l’inaugurazione del Museo di Moncalvo / Milano, 27-28 giugno 2015 : lezioni per giovani attrici, presso l’Accademia Superiore Nuovo Cinema / Merano, 25 luglio 2015 : Convegno dell’Associazione Elisabetta d’Austria / Genova, 6 ottobre 2015, Biblioteca Civica Berio : evento per Massimo Battolla / Ponzano Monferrato, 12-16 ottobre 2015, laboratorio teatrale di Massimo Sannelli durante I sentieri dello Spirito, a cura di ALERAMO Onlus / Milano, 14-15 novembre 2015, Accademia Superiore Nuovo Cinema : lezioni per giovani attori / Lamezia Terme, 27 novembre 2015, Uniter : conferenza di Ippolita Luzzo su Digesto di Massimo Sannelli / Roma, 26-27-28 novembre 2015, La Camera Verde : proiezione di Monologo di Palinuro / Alba, 4 dicembre 2015, Chiesa di san Giuseppe : evento, a cura di ALERAMO Onlus / Milano, 9 dicembre 2015, The Club : presentazione del concorso 60-120. Dai fratelli Lumière alla nuvola informatica, ideato da Massimo Sannelli e sviluppato da ISAF / Ruta di Camogli, 12 dicembre 2015, Missing Film Festival : proiezione di Monologo di Palinuro di Fabio Giovinazzo / Genova, 16 dicembre 2015, Villa Bombrini (Cornigliano) : proiezione di Monologo di Palinuro e presentazione dell’Arte del Fauno, a cura di Genova Liguria Film Commission / Genova, 21 dicembre 2015, Teatro Altrove : proiezione di Monologo di Palinuro</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilaquattordici</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Pune, 9-16 gennaio 2014, 12th Pune International Film Festival : Life Span of the Object in Frame di Aleksandr Balagura /Aurangabad, 1° febbraio 2014 : 1st Aurangabad Film Festival : Life Span of the Object in Frame di Aleksandr Balagura /Savigliano, Cenacolo Clemente Rebora, 22 marzo 2014 : presentazione dei Nuovi Salmi / Ciudad de México, 27 febbraio-9 marzo 2014, Ficunam : Life Span of the Object in Frame di Aleksandr Balagura / Genova, 25 marzo 2014 : Ovest Doc, proiezione di Tempo di vita (Life Span of the Object in Frame) di Aleksandr Balagura / Genova, 7 maggio 2014, Palazzo Spinola di San Pietro-Liceo Gobetti : evento per Filippo V, 1702 / Milano, 12-13 luglio 2014 : lezioni per giovani attori, presso l’Accademia Superiore Nuovo Cinema (corso base) / Ivrea, 19 luglio 2014 : convegno su Adriano Accattino e presentazione di Pensare oltre gli ostacoli della parola (Mimesis, 2014) / Milano, 13-14 settembre 2014 : lezioni per giovani attori, presso l’Accademia Superiore Nuovo Cinema (corso avanzato) / Genova, 25 settembre 2014, Biblioteca Civica Berio :evento per Massimo Battolla / Santuario di Crea, 2-3 ottobre 2014, letture, lezioni e interventi di Massimo Sannelli, a cura di Aleramo Onlus / Milano, 4-5 ottobre 2014 : lezioni per giovani attori, presso l’Accademia Superiore Nuovo Cinema (corso base) / Finale Ligure, Associazione culturale Domenica Est, 14 dicembre 2014, incontro con Daniela Lasagnini e Massimo Sannelli : In antitesi al contemporaneo. Le ultime Imperatrici / Rimini, Cineteca, 23 dicembre 2014 : proiezione delRivoluzionario di Denis Astolfi</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilatredici</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Genova, 19 febbraio 2013, Sala dei Chierici, Biblioteca Civica Berio : proiezione di Kinek ìrod ezt? di Fabio Giovinazzo; presentazione e letture di Massimo Sannelli / Albenga, Biblioteca Civica, 8 giugno 2013 : inaugurazione della personale di Fabio Giovinazzo, City Lights, clinamen (testo in catalogo di Massimo Sannelli) / Marsiglia, 5 e 7 luglio 2013 : FID (in concorso Life Span of the Object in Frame di Aleksandr Balagura : scheda) / Lavis, 12 luglio 2013, CSAO : Breathless Action, 24 ore per Cesare Battisti, performance orale di Massimo Sannelli (comunicato stampa) / Genova, 18 luglio 2013, Biblioteca Universitaria : Tutto è in tutto, lettura di Massimo Sannelli / Marbella, 2-6 ottobre 2013 : Il Rivoluzionario di Denis Astolfi al Marbella Film Festival / Ivrea, 26-27 ottobre 2013, Museo della Carale : Pensare oltre l’ostacolo della parola / Lisbona, Doc Lisboa ‘13, 24 ottobre-3 novembre 2013 (in concorso Life Span of the Object in Frame di Aleksandr Balagura) / Genova, 27 novembre 2013, Galleria Spazio 23: Sandro Iovine presenta Dario Coletti, letture di Massimo Sannelli / Roma, 28 novembre 2013, Libreria Empiria : presentazione di Mostri tiepidi, con Benoit Gréan, Luisa Gardini, Valerio Magrelli, Massimo Sannelli</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemiladodici</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Genova, 16 gennaio 2012, Circolo Artistico Tunnel, Via Garibaldi, 6 : Margherita di Brabante tra storia, arte e letteratura, letture di Laura Accerboni e Massimo Sannelli / Genova, 4 febbraio 2012, Sala Presentazioni della Libreria BooksIN, Via David Chiossone : presentazione di Scuola di poesia, con un intervento di Raffaele Perrotta / Mantova, 22-23 febbraio 2012 : lezioni su Dante, ITES «A. Pitentino» / Faenza, 3 marzo 2012, Teatro del Convento di San Francesco : Testi crossover, a c. di Alessandro Ramberti : intervento sul «secretum professionale» (il cinema) / Bologna, 8 marzo 2012, Libreria Le Moline : presentazione di Poeti degli anni Zero / Roma, 14 marzo 2012, Biblioteca Corviale : lezione su Dante, a cura di Carla De Angelis / Genova, 21 marzo 2012: Giornata Mondiale della poesia: incontro con gli studenti della scuola «Virginia Centurione» / Badalucco, 7 aprile 2012 : Art Gallery, In memoriam Kris: Vernissage della mostra di Kris Triebe, lettura di Massimo Sannelli / La Spezia, 15 aprile 2012 : Premio «Il Golfo», Convegno e premiazione / Mendrisio (CH), 28 aprile 2012, Libreria Dal Libraio, Vernissage della mostra personale di Massimo Sannelli / Rovereto, 2 maggio 2012, Libreria Blu Libri : Massimo Sannelli parla della Bocca del lupo / Trento, 4-6 maggio 2012 : Medita, Salone degli editori trentini, tre interventi della Finestra Editrice, con Marco Albertazzi, Stefano Salzani, Stefano Chemelli, Mattia Cipriani, Massimo Sannelli / Milano, 11 maggio 2012, Palazzina Liberty (spettacolo di Casa Cambalache): Tango Quadro Kandinsky, testo di Ariel Soulé, con Massimo Sannelli / Forlì, 19 maggio 2012 : Premio Città di Forlì (Massimo Sannelli segnalato, traduzioni da Rimbaud) / Genova, 24 maggio 2012, Biblioteca Berio (Sala dei Chierici) : La vita in poesia di Giovanni Pascoli, a cura dell’Associazione Il Corimbo, interventi musicali di Massimo Sannelli / Vicenza, 26 maggio 2012, Libreria Mondadori Quarto Potere : conversazione e lettura, a cura di Stefano Guglielmin / Genova, 1° giugno 2012, Auditorium dei Musei di Strada Nuova, Via Garibaldi 18 : anteprima di Kinek ìrod ezt? / Pero, Tr_amando arte, Teatro Tenda, 23 giugno 2012 : Massimo Sannelli interpreta Anteprima della Stoffa dell’universo di Nino Di Paolo / Castelleone, 27 giugno 2012, Associazione Alice nella Città: proiezione della Bocca del lupo, con un intervento di Massimo Sannelli / Genova, Biblioteca Universitaria, Via Balbi, scalinata, 13 luglio 2012 : Massimo Sannelli legge Edoardo Sanguineti [comunicato] / Lastra a Signa, Villa Bellosguardo-Museo Enrico Caruso, 5 luglio 2012: «Un Verbo che respira chiaramente». Lettura di Massimo Sannelli / Volano, Parco Legat, 27 luglio 2012 : cinema e poesia di Pier Paolo Pasolini, a cura di Massimo Sannelli / Nogaredo, Chiesa di Brancolino, 7 settembre 2012 : cinema e poesia di Elsa Morante, a cura di Massimo Sannelli / Bologna, Festa di Via Broccaindosso, 8 settembre 2012 : Massimo Sannelli legge Massimiliano Chiamenti / Crema, 15 settembre 2012 : Poesia a strappo, performance di Massimo Sannelli / Genova, Biblioteca Universitaria, Via Balbi, scalinata, 27 settembre 2012 : omaggio a Giorgio Caproni. Massimo Sannelli recita Litania / Santuario di Crea, I sentieri dello spirito, 29 settembre 2012 : letture e interventi di Massimo Sannelli / Monaco di Baviera, LMU, 11 ottobre 2012 : Buchausstellung des Verlagshauses La Finestra editrice, a c. di Marco Albertazzi e Massimo Sannelli / Milano, 28 novembre 2012, Officina Coviello, proiezione di Kinek ìrod ezt? di Fabio Giovinazzo; lettura di testi di Edoardo Sanguineti, eseguiti da Massimo Sannelli / Kiev, 7 dicembre 2012 : anteprima di Bремя жизни объекта в кадре, regia di Aleksandr Balagura / Mosca, 10 dicembre 2012 : Artdokfest 2012 : proiezione di Bремя жизни объекта в кадре</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilaundici</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Roma, 25 febbraio 2011, ore 18: spazio ESC, presentazione dell’antologia Poeti degli anni Zero, a c. di Vincenzo Ostuni /Roma, 2 aprile 2011, Auditorium Parco della Musica, festival LibriCome : presentazione di Poeti degli anni zero / Genova, 9 aprile 2011, Libreria Books in The Casba : presentazione di Raffaele Perrotta, Ombra a rilucere / Roma, 16 aprile 2011, Atlante sonoro XXI, Ex Mattatoio: Massimo Sannelli interpreta Saffo (blesa) / Milano, 21 aprile 2011, Casa della Poesia : presentazione di Poeti degli anni zero / Albenga, Biblioteca Civica (Palazzo Oddo), 6 maggio 2011, ore 16.30 : la poesia di Giovanni Paolo II, lettura di Massimo Sannelli / Vercelli, Basilica di Sant’Andrea, Sala capitolare, 7 maggio 2011 : la poesia di Giovanni Paolo II, lettura di Massimo Sannelli / Fonte Avellana, 13-15 maggio 2011: Il valore del tempo nella scrittura, convegno a c. di Alessandro Ramberti : intervento sul Tempo nella Comedìa / Torino, 16 maggio 2011, Salone del Libro : presentazione di Poeti degli anni Zero / Genova, 20 maggio 2011 : Tennessee Williams, Ritratto di Madonna, all’interno della mostra di Piergiorgio Colombara (Palazzo della Borsa) / Pero, Tr_amando arte, Teatro Tenda, 18 giugno 2011: lectura Dantis di Massimo Sannelli / Genova, 23 giugno 2011, Palazzo Tobia Pallavicino: Notte della poesia, a cura di Genovainedita e Festival internazionale della Poesia di Genova / Roncegno, Palazzo delle Terme, 25 giugno 2011 : convegno sull’Ultima cena e il suo simbolismo : intervento sull’Ultima Cena nella letteratura / Roma, 1° luglio 2011, Teatro Valle : lettura, da Brecht / Genova, 9 luglio 2011, Chiesa di Palazzo De Mari : Cantares populares di Lorca, soprano Elena Rozo, chitarrista Elio Rimondi, voce recitante e traduzione dei testi Massimo Sannelli / Riomaggiore, 30 luglio 2011 : presentazione del libro di Massimo Battolla sulle Cinqueterre / Macerata, 9 settembre 2011, ex Upim, Festival Macerata Ospitale, Mostra fotografica e lettura del Monaco di Alessandro Seri / Montichiari, 1° ottobre 2011, Lettura al Galetér, con Luca Artioli, a c. di Andrea Garbin / Santuario di Crea, I sentieri dello spirito, 8 ottobre 2011: conferenza e lectura Dantis, a cura di Aleramo Onlus / Morra Irpina, Convegno AICL, 13-15 ottobre 2011 / Milano, 7 novembre 2011, Le Trottoir : finissage della mostra di Evelina Schatz e presentazione dell’antologia Capriccio del cerchio, letture di Viviana Nicodemo e Massimo Sannelli / Macerata, 25 novembre 2011, Bottega del libro : presentazione di Scuola di poesia (Vydia editore) /Civitanova Marche, 26 novembre 2011, Libreria Arcobaleno : presentazione di Scuola di poesia / Recanati, 27 novembre 2011, Libreria dell’incontro : presentazione di Scuola di poesia / Acqui Terme, Salone San Guido (Piazza Duomo), introduzione critica di Marco Berisso, Erik Negro, Franco Vazzoler, prima proiezione di Labirinthi, documentario di Fabio Giovinazzo su Edoardo Sanguineti / Macerata, Biblioteca Comunale, 18 dicembre 2011 : presentazione di Scuola di poesia durante la premiazione di Poesia di strada / Macerata, Bottega di scrittura, 19 dicembre 2011 : presentazione di Scuola di poesia / Mogliano, Sede di Licenze Poetiche, 20 dicembre 2011 : presentazione di Scuola di poesia.</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemiladieci</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Macerata, Galleria Antichi Forni, 13 febbraio 2010 : presentazione del libro Scuola di poesia (Wizarts, 2010) / Macerata, Galleria Antichi Forni, 14 febbraio 2010 : Il Monaco, testo e regia di Alessandro Seri, interpretato da Massimo Sannelli / Faenza, Teatro del convento di San Francesco, 13 marzo 2010 : Convegno, a cura di Alessandro Ramberti (intervento di Massimo Sannelli su Margherita Porete) / Lavis, 30 aprile 2010 : interpretazione di Prometeo / Roma, 27 giugno 2010, Teatro Belli : Città Fantastica, protagonista Massimo Sannelli, nel ruolo di Lorenzo Calogero / Brescia, 19 luglio 2010, Chiostro di San Giovanni : lectura Dantis, dall’edizione a cura di Massimo Sannelli (Fara editore, Rimini 2010) / Santuario di Crea, 25 settembre 2010, Festival Annunciazione e Annunciazioni : lezione e lectura Dantis / Rimini, 26 settembre 2010, Convegno Una madre ci accompagna: lezione su Dante / Albenga, 23 ottobre 2010, Biblioteca Civica : presentazione della Comedìa di Dante, intervento critico di Roberto Trovato / Chiari, 14 novembre 2010 : lezione su Dante a Microeditoria 2010 / Genova, 24 novembre 2010, Stanza della poesia: presentazione della Comedìa / Vercelli, 26 novembre 2010: Festival Poesia Civile / Castelvetrano, 13 dicembre 2010: lezione su Dante, presso il Liceo Classico.</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilanove</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Roma, Teatro Manhattan, 16-18 gennaio 2009: Prometeo, scritto e interpretato da Massimo Sannelli / Genova, Genovainedita, 5 febbraio 2009 : lettura di Prometeo e presentazione del libro L’aria (Puntoacapo editrice, 2009) / Genova, Stanza della Poesia (Palazzo Ducale), 7 febbraio 2009, ore 17 : Esnedy Milán Herrera interpreta Antigone di Massimo Sannelli / Roma, Teatro Manhattan, 4 marzo 2009 presentazione del libro L’aria, con Mauro Ferrari e Alberto Toni /Roma, Teatro Manhattan, 13-15 marzo 2009 : Esnedy Milán Herrera interpreta Antigone di Massimo Sannelli / Genova, Galleria Studio 44, 27 marzo 2009 : lettura, Teatro e poesia / Genova, 14 maggio 2009, Porto Antico Libri, ore 18 : presentazione dell’Aria, con Mauro Ferrari / Genova, 6 giugno 2009, Teatro Duse, ore 12 : Verso la luce nel buio (teatro) / Milano, 13 giugno 2009, Libreria Equilibri : lettura di Alberto Toni e Massimo Sannelli / Genova, 16 giugno 2009, Facoltà di Lingue e Letterature straniere, aula III : Emanuela Miconi e Massimo Sannelli leggono il cap. II (Nestore) dell’Ulisse di James Joyce (Bloomsday 2009, a c. di Massimo Bacigalupo) / Genova, 19 giugno 2009, Teatro Von Pauer : Le mura del cuore, di Paolo Bozzo, regìa di Massimo Sannelli / Borgo Valsugana (TN) : 3/4 luglio 2009, Casa Strobele : interpretazione di Prometeo e presentazione della rivista «Le acque di Ermes» / Ravenna, 18 luglio 2009 : Convegno su Dante, a c. di Alessandro Ramberti / Correggio, 11 dicembre 2009 : Seminario Tondelli 2009.</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilaotto</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Genova, S.M.S. «Virginia Centurione», gennaio 2008: corso di poesia / Bogliasco, 3 febbraio 2008, Sala Ferrari, ore 18 : Antigone di Sofocle, trad. di M. Cacciari, interpreti Maura Di Antonio (Antigone), Chiara Pieri (Ismene), Massimo Sannelli (Creonte) / Macerata, 29 febbraio 2008 : performance di Rosaria Lo Russo (con testi di Sannelli) e Massimo Sannelli (con testi di Lo Russo) / Radio 3, 21 marzo 2008, Fahrenheit, intervento su poesia e scuola (con Plinio Perilli e Roberto Piumini) / Roma, 29 marzo 2008 : Festarte / Genova, 7 aprile 2008, Libreria Books in the Casbah : presentazione di Marco Giovenale, La casa esposta, con Luciano Neri, Paolo Zublena, letture di Massimo Sannelli / Milano, 9 aprile 2008 : intervista con Zara Akunts, per Armenian Television / Milano, 12 aprile 2008, Libreria Mondadori Multicenter (Via Marghera 28), ore 17.30 : presentazione dell’antologia Il corpo segreto (Lietocolle) / Firenze, Abbazia di San Miniato al Monte, 19 aprile 2008: incontro Lo spirito della poesia, a c. di Alessandro Ramberti / Pero, 27 aprile 2008, Biblioteca Civica : presentazione di Alberto Mori, Raccolta / Torino, Salone del Libro, 8 maggio 2008 : La nuova linea editoriale delle ed. Joker / Genova, 16 maggio 2008 : Premiazione Artisti Ascar / Milano, 5 giugno 2008, Palazzina Liberty, Casa della poesia, ore 21: incontro sull’antologia Il corpo segreto (Lietocolle) / Genova, 26 maggio 2008, Circoscrizione Foce, ore 16: presentazione di Lea Pacciardi, a c. di «Il Corimbo» / Varallo Sesia, 13-15 giugno 2008 : Imago veritatis, convegno a c. di Massimo Orgiazzi / Bruxelles, 29 giugno 2008, Radio Alma : La tela sonora / Genova, 17 luglio 2008, Libreria Finisterre, ore 21 : presentazione di Alberto Mori, Raccolta / Prata, 3 agosto 2008 : premiazione Pratapoesia 2008 / Genova, Fac. di Lingue, Poesia e lingua : Massimo Sannelli legge Simone Weil / Strada in Casentino (AR), 23 novembre 2008, ore 15 : premiazione Rassegna di testimonianza letteraria / Firenze, 24 novembre 2008, Libreria Edison : presentazione dell’antologia Il corpo segreto / Genova, 5 dicembre 2008, ex Oratorio dei Santi Nazario e Celso, ore 21 : Prometeo / Roma, 8 dicembre 2008, Palazzo dei Congressi (Eur) : presentazione dell’antologia Il corpo segreto / Roma, 18 dicembre 2008, La Camera Verde: presentazione di Patrizia Bianchi, La murata.</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">duemilasette</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Milano, Circolo Arci Equinozio, 24 febbraio 2007, ore 21: presentazione di Philologia Pauli, a cura di Barbara Rosenberg /Genova, Associazione Culturale Satura, 30 marzo, ore 17.30: presentazione di Philologia Pauli / Macerata, 19 aprile 2007: presentazione di Philologia Pauli / Bazzano, 28 aprile 2007: “Blog e nuovi media nella diffusione della poesia italiana contemporanea. Idee e sviluppi futuri”, a cura di Alessandro Ansuini e Matteo Fantuzzi. Nel reading serale Anila Resuli legge la sezione 5 di Antigone di Massimo Sannelli / Macerata, 7 maggio 2007, ore 17: lezione su poesia e traduzione e didattica della poesia per gli studenti della SSIS, a cura di Giampaolo Vincenzi / Riccione, 12 maggio 2007, Villa Mussolini: incontro degli autori di Fara editore. Introduzione critica di Alessandro Moscé e Massimo Sannelli / Roma, 14 maggio 2007, ore 18, Galleria La Nuova Pesa: presentazione di Philologia Pauli, a cura di Paolo Sortino e della redazione di (il)Crise / Roma, 15 maggio 2007, La Camera Verde: presentazione di Emily Dickinson, Su un Io Colonna, 2. ed. ampliata / Roma, 18 giugno 2007, Libreria Vivalibri: Voices+Gammm / Genova, 20 giugno 2007, ore 18: «Il passaggio di Enea», lettura di poeti liguri, a cura di Massimo Morasso (evento del Festival della Poesia di Genova) / Castel San Pietro (BO), 30 giugno 2007: Cibo-Festa della poesia / Roma, Isola Tiberina spazio Isola del Cinema, 4 luglio 2007 (gruppo GAMMM) / Trivandrum (Kerala, India), 20-23 luglio 2007: Kritya Poetry Festival / Milano, Centro cult. San Carlo, 21 settembre 2007: lettura di Daniela Monreale, Francesco Marotta, Massimo Sannelli / Ricordo di Alfredo Giuliani, Radio3 Suite, 25 settembre 2007 / Macerata, 19 ottobre 2007 : giornata in ricordo di Remo Pagnanelli, a cura di Filippo Davòli / Luxembourg, 25-26 ottobre 2007 : convegno internazionale su Antonio Gramsci / Roma, La Camera Verde, 28 ottobre 2007 : presentazione di Emily Dickinson, Su un Io Colonna</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">altri viaggi e azioni : 2001-2006 </span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;">Université de Liège, 1° aprile 2001: Convegno internazionale Poésie et musique - intervento su «Volonté de dire» et musique / Santiago de Compostela, 12-15 settembre 2002: IV Congreso Internacional de Latín Medieval, intervento su Raccolta, canzoniere, Liederbüch, letto il 12 settembre / Université de Rennes, 3 ottobre 2003: convegno sull’Engagement littéraire, intervento Sur le corps engagé / Correggio, Seminari Tondelli 3, 4, 5, 6 (2003-2006) / Genova, 3 febbraio 2004, Libreria Feltrinelli: presentazione di Tommaso Giartosio, Perché non possiamo non dirci, insieme a Paola Guazzo / Genova, 18 ottobre 2005, Libreria Feltrinelli: presentazione dell’antologia Parola plurale (Sossella), con Edoardo Sanguineti / Roma, 21-22 ottobre 2005, Auditorium: Romapoesia / Roma, 23 ottobre 2005, Fondazione Baruchello: L’esperienza-divenire delle arti / Venezia, 7 ottobre 2006, San Toma’: Farepace / Roma, 26 ottobre 2006, Casa Pasolini, Via Tagliere (Rebibbia): presentazione di Philologia Pauli, a cura di Claudio Orlandi / Genova, 8 novembre 2006, Sala di Lettura della Facoltà di Lingue (Palazzo Serra): presentazione di Philologia Pauli</span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="background-color: black; font-size: 17.3333px;"><span style="color: white; font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="background-attachment: initial; 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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-31648417569959320902011-07-29T01:21:00.000+02:002016-09-11T21:42:49.246+02:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Massimo Sannelli</span></div>
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<span style="color: red; font-family: "georgia" , "times new roman" , serif; font-size: x-large;">DIGESTO</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Tormena Editore, Genova 2014 </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">ISBN 978-88-8480-113-5</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Pp. 144, copertina di <a href="http://www.arielsoule.net/pag_curriculum.htm">Ariel Soulé</a></span></div>
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<span style="line-height: 21px;"><span style="font-family: "georgia" , "times new roman" , serif;">Nel <i>Digesto</i> vi sono impronte, segni, parti che sono </span></span></div>
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<span style="line-height: 21px;"><span style="font-family: "georgia" , "times new roman" , serif;">anch’esse corpo, come il corpo dell’autore. </span></span></div>
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<span style="line-height: 21px;"><span style="font-family: "georgia" , "times new roman" , serif;">La presenza si allarga, </span></span><span style="font-family: "georgia" , "times new roman" , serif; line-height: 21px;">scorgiamo, dalla crepa </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; line-height: 21px;">aperta dalle parole, </span><span style="font-family: "georgia" , "times new roman" , serif; line-height: 21px;">una sofferenza d’altro; </span></div>
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<span style="line-height: 21px;"><span style="font-family: "georgia" , "times new roman" , serif;">non è più possibile dopo la tortura tornare a se stessi, </span></span></div>
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<span style="line-height: 21px;"><span style="font-family: "georgia" , "times new roman" , serif;">si torna ad un altrove e in presenza; </span></span></div>
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<span style="line-height: 21px;"><span style="font-family: "georgia" , "times new roman" , serif;"><a href="http://www.immaterial.org/">Marina Abramovic</a> è interlocutrice </span></span></div>
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<span style="line-height: 21px;"><span style="font-family: "georgia" , "times new roman" , serif;">non evocata ma imprescindibile.</span></span></div>
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<span style="line-height: 21px;"><a href="http://www.alfabeta2.it/2014/11/25/digesto/"><span style="font-family: "georgia" , "times new roman" , serif;">Nadia Agustoni</span></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;">Il</span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;"> Digesto</i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"> è la raccolta delle prose scritte tra il 2000 e il 2014, alcune già edite, altre nuove. Qui tutto è completamente riscritto, nella forma definitiva, come un unico romanzo. Il libro è un diario orale, un monologo da palco, una confessione tragica e comica, oscena e nobile, nello stesso tempo. Lo pubblica <a href="http://www.tormena1945.it/">Tormena Editore</a>, la realtà genovese che ha pubblicato opere come </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Renzo Piano and Building Wokshop. Progetti in mostra</i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"> (2004), </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Prima della rivoluzione </i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;">di Tonino Conte (2004), </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Guerra e pace</i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"> e </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Stage and Page </i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;">di Emanuele Luzzati (2003), </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Palazzi di Genova</i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"> di Rubens (2001), </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Pier Luigi Pizzi. Il teatro della meraviglia</i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"> (1999). Con Tormena, Massimo Sannelli ha pubblicato nel 2013 <a href="http://www.unarapidaebbrezza.blogspot.com/">Una rapida ebbrezza. I giorni genovesi di Elisabetta d'Austria</a>, nel 2014 l'edizione moderna della </span><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"><a href="http://www.filippoquinto.blogspot.it/">Lettera di ragguaglio del passaggio di S.M. Cattolica. Filippo V a Genova</a></span><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;">, entrambi in collaborazione con Vittorio Laura.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b>Massimo Sannelli - Note sul <i>Digesto</i></b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"><span style="color: red;">TITOLO</span> </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Digesto</i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"> è un titolo-gioco: allude al </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Digesto</i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"> di Giustiniano, e quindi è una specie di sistemazione; ma non della legge, come in Giustiniano; è solo una sistemazione del mio materiale, con la giustizia privata che mette a posto 14 anni di scritture, tagliando e cucendo. Non solo: </span><i style="font-family: Georgia, 'Times New Roman', serif; text-align: justify;">Digesto</i><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify;"> allude anche alla digestione, perché il testo consuma e assimila tutto il possibile.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: red;">FORMA</span> Sono frammenti di prosa, ed è sempre una prosa ritmica, adatta alla recitazione orale. In realtà il libro è un grosso canovaccio per improvvisazioni e monologhi. Il lato attoriale è sempre previsto e presente.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: red;">CONTENUTO</span> Per il suo stile frammentario e provvisorio – solo l’esecuzione teatrale è il vero </span><i style="font-family: Georgia, 'Times New Roman', serif;">Digesto</i><span style="font-family: "georgia" , "times new roman" , serif;"> – il contenuto è composito e impreciso. Ci sono alcuni fili conduttori: l’infanzia, il riferimento all’autorità degli educatori (il padre, gli insegnanti, ecc.), la solitudine (prima considerata come una maledizione, poi come una fortuna), l’amore, il sesso (e il sesso è un motivo forte del libro, perché contraddice il motivo della solitudine), il lavoro, la vita dedicata (senza pace, senza pause), i viaggi, le </span><i style="font-family: Georgia, 'Times New Roman', serif;">performances</i><span style="font-family: "georgia" , "times new roman" , serif;">, le difficoltà vitali ed economiche. Qua e là appare una donna, il cui nome è esplicito solo nell’ultima pagina: questa donna è reale, e i rapporti – mai sessuali – con lei hanno dominato anni di vita. Era un’intesa mentale, come tra un maestro, nervoso e in fuga, e un’allieva in crescita.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: red;">FORMA e CONTENUTO</span> Il libro oscilla tra prose semisurreali e semibarocche (sono i testi più vecchi) e prose limpide, ma aggressive. Il linguaggio può essere, di volta in volta, sognante, drammatico, acido, sensuale, a tratti volgare. Il Capo nominato all’inizio non era un solo uomo, ma una figura simbolica e complessa. Questo Capo deve essere superato e vinto, se no la vita non inizia. Questo è chiaro. Come vincere? I modi per vincere sono due: crescere, per diventare adulto e indipendente (e conquistare, da adulto, un’istruzione non banale e non provinciale); lavorare, lavorare moltissimo, sempre.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: red;">EVOLUZIONE</span> Bisogna pensare a come John Coltrane suona </span><i style="font-family: Georgia, 'Times New Roman', serif;">Crescent</i><span style="font-family: "georgia" , "times new roman" , serif;"> in </span><i style="font-family: Georgia, 'Times New Roman', serif;">Offering</i><span style="font-family: "georgia" , "times new roman" , serif;">, dal vivo. Domanda: quale scrittura italiana contemporanea, corrente, vivente, corriva, corsiva, assomiglia a questa versione di </span><i style="font-family: Georgia, 'Times New Roman', serif;">Crescent</i><span style="font-family: "georgia" , "times new roman" , serif;">? Nota: sono passati 48 anni. Risposta: poco o niente, per ora. Perché? Per un limite dell’ambiente e della lingua, oltre che per l’età media della popolazione. Bene: romperemo l’ambiente, ma non la lingua, se no si resta nudi; e con delicatezza, per rispetto all’età media della popolazione; allora creeremo una situazione diversa, e ammetteremo che la scrittura non basta più a se stessa. Scrivere è solo un’arte applicata. Allora bisogna applicarsi, è chiaro: ma si fa fisicamente. [questo frammento è stato ampliato e riscritto <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/musica-e-concerti/7529-coltrane-e-applicarsi.html">qui</a></b>]</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: red;">ASPETTATIVE</span> Ho sempre scritto: libri, articoli, traduzioni, drammi, schede editoriali. Ma ho anche lavorato per il teatro e per il cinema. Sono un artista visivo e ho fatto mostre, e continuerò. Il visivo vuole essere visibile, altrimenti è finito. Insegno in un’Accademia di cinema. Viaggio molto, da sempre. Che cosa voglio dire? Dico questo: un libro non esaurisce tutto. Per questo cerco di lavorare sempre di più nel campo dello spettacolo: perché in questo campo tutte le tendenze, le passioni, le competenze – tutto quanto – possono essere utilizzate, e utilizzate contemporaneamente. È un punto molto importante, per me, oggi: sapere che la forma scritta, la forma-libro, non è più definitiva. Ora, per me, la scrittura – soprattutto la cosiddetta poesia – è un’arte applicata: è un substrato tecnico, per fare cose non scritte.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Rassegna stampa su <i>Digesto</i> :</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">- Nadia Agustoni, <a href="http://www.alfabeta2.it/2014/11/25/digesto/">Digesto</a></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">- Veronica de Lorenzo, <a href="http://mvmilan-rome.blogspot.it/2014/10/a-tu-per-tu-con-lo-scrittore-massimo.html">A tu per tu con lo scrittore...</a> [ripresa <a href="http://it.paperblog.com/a-tu-per-tu-con-lo-scrittore-massimo-sannelliquando-la-poesia-ha-il-ritmo-della-vita-2557603/">qui</a>]</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">- Elisabetta Brizio, <a href="http://nuovaprovincia.blogspot.it/2014/10/barbarie-barocca-glosse-imperfette-per.html">Barbarie barocca</a> [ripreso <a href="http://www.bibliomanie.it/barbarie_barocca_sannelli_digesto_brizio.htm">qui</a>]</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">- Fabio Mazzari, <a href="http://www.inchiostrofresco.it/blog/2014/10/07/digesto-grido-contro-crisi/">Digesto : un grido contro la crisi</a></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">- Trentino Libero, <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7313-il-digesto.html">Il Digesto</a></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comGenoa, Italy44.4056499 8.946255999999948544.2242774 8.6235324999999481 44.5870224 9.2689794999999489tag:blogger.com,1999:blog-2209475096725587818.post-32171394031299627562011-02-16T02:47:00.005+01:002020-12-02T09:57:33.649+01:00<div class="separator" style="clear: both; text-align: center;">
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<div style="padding: 0px 10px; text-align: justify;"><div><div style="text-align: right;"><span style="background-color: black; color: white;"><span style="font-family: courier; font-size: large; text-align: center;">POLYMORPHOUS BUILDS. Objects/items/bodies ---> </span><span style="font-family: courier; font-size: large; text-align: center;"><a href="https://www.massimosannelli.net/2020/12/POLYMORPHOUSBUILDS.html" target="_blank">here</a></span></span></div></div><div style="background-position: initial initial; background-repeat: initial initial; font-style: normal; margin: 0cm;"><span style="background-color: black; color: white; font-family: courier;"><span><br /></span></span></div><div style="background-position: initial initial; background-repeat: initial initial; font-style: normal; margin: 0cm;"><span style="background-color: black; color: white; font-family: courier;"><span><br /></span></span></div><div style="background-position: initial initial; background-repeat: initial initial; font-style: normal; margin: 0cm;"><span style="background-color: black; color: white; font-family: courier;"><span><br /></span></span></div><div style="background-position: initial initial; background-repeat: initial initial; font-style: normal; margin: 0cm;"><span style="background-color: black; color: white; font-family: courier;">
<span>CATALOGHI - LIBRI ILLUSTRATI - RIVISTE</span></span></div>
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<span style="background-color: black; color: white; font-family: courier;"><span><span><i>This Is Visual Poetry by Massimo Sannelli</i></span><span style="font-style: normal; font-weight: bold;"> </span>(Chapbookpublisher.com, Kingston PA, 2011)<br /><span><i>L'Ultima Cena e il suo simbolismo</i></span><span class="apple-converted-space" style="font-style: normal;"><strong> </strong></span>(<span style="text-decoration: none;">La Finestra editrice</span>, Lavis 2011), a c. di Mattia Cipriani e Massimo Sannelli</span><br />
<span>ΣΜΙΛΗ/SMILE, aperiodico, a cura di Fabio Giovinazzo. Il nome, il logo, il progetto grafico e l'impaginazione sono a cura di Massimo Sannelli: il blog di <a href="https://smilereview.wordpress.com/">ΣΜΙΛΗ/SMILE</a></span><br />
<span><a href="https://lottadiclassico.files.wordpress.com/2020/02/riotspart.pdf">RIOT'S PART</a>, Lotta di Classico, Genova 2020<br /><br /><span>MOSTRE COLLETTIVE</span></span><br />
<span><span><i>The Body / Il corpo</i></span>, a cura di Mara Campaner, Galleria<span class="apple-converted-space" style="font-style: normal;"> </span><a href="http://www.galleriawebart.com/" style="font-style: normal;" target="_blank"><span style="text-decoration: none;">Web Art</span></a>, Treviso, 12-30 novembre 2011<br /><span><i>La Gallery dei peccati : Gola</i></span>, a cura di Sara Pessato, <span style="font-style: normal; text-decoration: none;">degliZingari Gallery</span>, Roma, 19 novembre-1° dicembre 2011<br /><span><i>Regard</i></span>, a cura di Daniela Accorsi, Villa Magdalena, Nice (France), 27 novembre 2011-2 gennaio 2012</span><br />
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<span style="background-color: black; color: white; font-family: courier;"><span class="Apple-style-span"><span>MOSTRE PERSONALI</span><br /><span>OPERE 2011</span>, <span>Sinergy Art Studio</span>, a cura di Sara Pessato, Roma, 10-22 dicembre 2011</span><br />
<span><span>OPERE 2011<span>,</span><strong> </strong></span>Libreria Dal Libraio, Mendrisio (Svizzera), 28 aprile-28 maggio 2012</span><br />
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<span><span>MOSTRE CURATE DA MASSIMO SANNELLI</span></span></span><br />
<span><span>Fabio Giovinazzo, <i>Il gesto al lavoro</i>. EBLIG, Genova, dal 25 ottobre 2012. </span></span><br />
<span>Fabio Giovinazzo, <i>City Lights Clinamen</i>. Albenga, Biblioteca Civica, 7-28 giugno 2013. </span><br />
<span>Fabio Giovinazzo, <i>City Lights Clinamen</i>. Genova, Museo di
Sant’Agostino, 13-27 dicembre 2013. </span><br />
<span>Fabio Giovinazzo, <i>City Lights Clinamen</i>. Ronco Scrivia, Biblioteca
Civica Tranquillo Marangoni, 22-31 Ottobre 2014.</span><br />
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<span>OPERE ON LINE</span></span></span></div>
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<span style="background-color: black; color: white; font-family: courier;"><span>Apocrifa. Art Magazine, 16 (2012) : </span><a href="http://apocrifa.com.mx/" target="_blank">qui</a></span></div>
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<span style="background-color: black; color: white; font-family: courier;"><span class="Apple-style-span">the Bleed 0.2</span><span> : </span><a href="http://www.magcloud.com/browse/issue/301356" target="_blank">qui</a><span> </span></span></div>
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<span><span class="Apple-style-span" style="background-color: black; color: white; font-family: courier;">Otoliths, Southern Spring (2012) : <a href="http://the-otolith.blogspot.com.au/2012/10/otoliths-issue-twenty-seven-table-of.html" target="_blank">qui</a></span></span></div>
<div><div style="text-align: center;"><br /></div></div><div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div><div style="text-align: center;"><span style="background-color: black; color: white; font-family: courier;"><br /></span></div>
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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-72768011906345334412011-01-10T02:44:00.009+01:002022-08-20T18:23:47.056+02:00<div class="separator" style="clear: both; text-align: center;">
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<div class="MsoNormal"><span><div class="MsoNormal" style="text-align: justify;"><span style="color: red; font-family: courier;"> <br /></span><div class="separator" style="clear: both; text-align: left;"><span style="font-family: courier; text-align: justify;"><span style="color: white;">WORKS BEFORE <a href="http://www.animaenoctis.com">ANIMAENOCTIS</a> (2008-DECEMBER 2019).</span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: courier; text-align: justify;"><span style="color: white;">FROM DECEMBER 2019 I WORK IN ANIMAENOCTIS DUO</span></span></div></div><div class="MsoNormal" style="text-align: justify;"><span style="color: white; font-family: courier;"><b><br /></b></span></div><div class="MsoNormal" style="text-align: justify;"><span style="color: white; font-family: courier;"><b>________________________________</b></span></div><div class="MsoNormal" style="text-align: justify;"><span style="color: red; font-family: courier;"><b><br /></b></span></div><div class="MsoNormal" style="text-align: justify;"><span style="color: red; font-family: courier;"><b>CINEMA</b></span></div><div class="MsoNormal" style="text-align: justify;"><span style="color: red;"><span style="font-family: courier;"><br /></span></span></div><div class="MsoNormal" style="text-align: justify;"><span style="color: red;"><span style="font-family: courier;">sceneggiature</span></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>L'ARTE DEL FAUNO</b>, regia di Fabio Giovinazzo, sceneggiatura di Fabio Giovinazzo e Massimo Sannelli (2017)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="color: red; font-family: courier;">colonne sonore originali </span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>12 CM DI TACCO</b>, regia di Fabio Giovinazzo (2018)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>IL PONTE DELLA VERGOGNA</b>, regia di Fabio Giovinazzo (2019)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>ISIS VS ZOMBIES</b>, regia di Fabio Giovinazzo (2020)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="color: red; font-family: courier;">attore</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>IL RIVOLUZIONARIO</b>, lungometraggio, regia di Denis Astolfi, 2010. Presentato all'I Will Tell International Film Festival, Londra 2012; proiezioni alla Cineteca di Rimini, 2014-2015</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>PUSH-BAR</b>, cortometraggio, regia di Samuele Wurtz, a cura del Laboratorio Probabile Bellamy, prodotto dalla Provincia di Genova, 2010</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>KINEK IROD EZT?</b>, lungometraggio, regia di Fabio Giovinazzo, 2012. Prima proiezione : Genova, Auditorium di Palazzo Rosso, 1° giugno 2012. Versione definitiva, con l'aggiunta di una scena scartata: 2015</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>TEMPO DI VITA (LIFE SPAN OF THE OBJECT IN FRAME)</b>, lungometraggio, regia di Aleksandr Balagura, 2012 . Anteprima al Festival di Odessa, luglio 2012 ; masterclass di Aleksandr Balagura al Gogolfest di Kiev, 24 settembre 2012; anteprima a Kiev, 7 dicembre 2012. Prima mondiale al FID, Marsiglia, 5 luglio 2013 (replica il 7 luglio) e menzione al Prix Georges de Beauregard International. Altri festival : Lisbona, Doc Lisboa, 24 ottobre-3 novembre 2013 ; Pune, 9-16 gennaio 2014, 12th Pune International Film Festival ; Aurangabad, 1° febbraio 2014 : 1st Aurangabad Film Festival ; Ciudad de México, 27 febbraio-9 marzo 2014, Ficunam : Life Span of the Object in Frame di Aleksandr Balagura ; Genova, 25 marzo 2014 : Ovest Doc</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>MONOLOGO DI PALINURO</b>, mediometraggio, regia di Fabio Giovinazzo, 2015</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>L'ARTE DEL FAUNO</b>, lungometraggio, regia di Fabio Giovinazzo, sceneggiatura di Fabio Giovinazzo e Massimo Sannelli, 2017</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>VELENO BIONDO</b>, lungometraggio, regia di Fabio Giovinazzo (2021)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>COMEDY</b>, cortometraggio, regia di Ariel Soulé (2021) : <b><a href="https://www.youtube.com/watch?v=pvcQ_8PFSnc">qui</a></b></span></div><div class="MsoNormal" style="text-align: justify;"><br /></div><div class="MsoNormal" style="text-align: justify;"><span style="color: red; font-family: courier;"><b>TEATRO</b></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>PROMETEO</b>,<b> </b>testo, interpretazione e regia di Massimo Sannelli: 5 dicembre 2008, ore 21, Ex Oratorio dei Santi Nazario e Celso, Genova : anteprima / 16-18 gennaio 2009, Teatro Manhattan, Roma / 5 febbraio 2009, Genovainedita, Genova / 3-4 luglio 2009, Casa Strobele, Borgo Valsugana (Tn) [4 luglio 2009, Casa Strobele : performance di <i>Prometeo </i>e presentazione di «The Waters of Hermes/Le acque di Ermes», La Finestra editrice]. Nel luglio 2009 Teresa Mar ha proiettato i primi versi del Prometeo a Vienna (Café Landtmann)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>ANTIGONE</b>, testo di Massimo Sannelli, regia e interpretazione di Esnedy Milán Herrera (Genova, Stanza della poesia, febbraio 2009 ; Roma, Teatro Manhattan, marzo 2009)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>CITTÀ FANTASTICA</b>, regia di Nino Cannatà, a c. del Gruppo Villanuccia : Teatro Belli, Roma, 27 giugno 2010 (protagonista)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>RITRATTO DI MADONNA</b>, di Tennessee Williams : nell'àmbito della mostra <i>La sala delle grida</i> di P. Colombara : Palazzo della Borsa, Genova, 20 maggio 2011 (coprotagonista)</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><b>TANGO QUADRO KANDINSKY</b>, 11 maggio 2012, Milano, Palazzina Liberty, testo di Ariel Soulé, interpretazione di Fabio Botto, Massimo Sannelli, Ariel Soulé</span></div><div class="MsoNormal" style="text-align: justify;"><b style="font-family: courier;">FAUSTUS</b><span style="font-family: courier;">, febbraio-marzo 2017, Genova, Teatro Garage e Arenzano, Teatro Il Sipario Strappato, regia di Max Manfredi</span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><div class="MsoNormal" style="font-family: georgia, "times new roman", serif; text-align: justify;"><br /></div></span></div>
Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-63200524157893999212010-12-02T09:55:00.062+01:002021-03-22T12:05:13.827+01:00<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: courier; font-size: large;">POLYMORPHOUS BUILDS o</span><span style="font-family: courier;">bjects by Massimo Sannelli </span></div><div><div style="text-align: center;"><span style="font-family: courier;"><span>Photos: <a href="https://www.silviamarcantonitaddei.net/">Silvia Marcantoni Taddei</a> - </span></span><span style="font-family: courier;">Styling: <a href="https://www.animaenoctis.net/">AnimaeNoctis</a> - </span><span style="font-family: courier;">Video: </span><a href="https://youtu.be/eHH-6tSN6CI" style="font-family: courier;">here</a></div><div style="text-align: center;"><span style="font-family: courier;"><span>info: massimo.sannelli@gmail.com</span></span></div><div style="text-align: center;"><br /></div><div style="text-align: justify;"><span style="font-family: courier;"><span>Sannelli's inspiration comes in and out the (<i>Fluxus</i>) world, among Spoerri, Beuys, Costa, Pisani, Yōko Ono, Marisa Merz, Rama, Horn, Bourgeois. S/He is a musician and an actor, and the <i>Polymorphous Builds</i> are physical, tactile music: partly instruments and partly harmony. Every score is based on tensions and solutions: the ropes and threads keeping Sannelli's works together in balance. </span></span></div><div style="text-align: justify;"><span style="font-family: courier;"><span>(Silvia Marcantoni Taddei)</span></span></div><div><br /></div><div><div style="text-align: center;"><span style="font-family: courier;">CLICK TO ENLARGE<br /></span></div></div></div><div style="text-align: center;"><span style="font-family: courier; font-size: x-small;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjK08Z3Ki40mhFuIeqCDhrn6I2FQdLtTe1ttFwXDGCDsV3urhHDjYoXMpp6_lf-Fkw-b23BHlm6nEZKOLCJixYU_pS4Ew92Z1A17ZKSkgh2zUMQ7cPsaR4n-uqxyNOsqj9Idbs0tA_Qt_W/s2362/SENZA+TITOLO+14.jpg" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Aj_Co9hRCIiGhL8BRk3W5VoxxJzHO1IntqZofAamk8bFEnh3JX9nga8bW3wPPW7yejG6DlrR8FpX7t9u_omoZi3bmqGXXmvV8SSfJcY3924XXabP63bF_PxKZGAGuFcRAZa09HpPzJ2E/s920/NECKLACE.jpg" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="63" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_Tu69v6zSpvC64HWHt8zwyS2xcO6mO1RF3804XonbHpA7CqNBt5RWsaycUNldCwjLgex07-qhEm90JwRmpeyfzhWmOL9xhE3wGjTu-BYeic8TAuVtANz8gHuOWtFnALMWHEIo0vPn7zUy/w84-h63/SENZA+TITOLO+50.jpg" width="84" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><br /><br /><br /><br /><br /><br /><br /><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /><br /></div><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /><span style="font-family: courier;"><br /></span></div>Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-71869994284692500782010-09-04T16:25:00.066+02:002024-02-26T14:25:26.390+01:00<span style="font-family: courier;"><div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="http://www.animaenoctis.com" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="867" data-original-width="3630" height="76" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVBlhU849ooa-nJbhnSMWJ-JkMtZUqUP5lUmF_eYUlP-DTyinuMN9yGis8HIjDpB4K8H0ODkXm4DorIwofhPPgpefC7JyTcysVOUOD0NxJuW8ecbbcxdJmnkmCruFtCa2aUZ9X5R3vE84tNvT7KHgUIqONnYuHB0ysGCMbNxK380bomkjKPkl6bx8-pQ/s320/ANIMAENOCTIS%201.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://animaenoctis.bandcamp.com/album/dna-della-poesia">DNA della poesia</a> (2019) </div><a href="https://animaenoctis.bandcamp.com/album/edonismo-firmato-sanguineti">Edonismo firmato Sanguineti</a> (2020) </span><div><span style="font-family: courier;"><a href="https://animaenoctis.bandcamp.com/album/exhibition-in-virtuality-a-cycle-for-geracho-arias-2020-2023">Exhibition in Virtuality</a> (2020) </span></div><div><span style="font-family: courier;"><a href="https://animaenoctis.bandcamp.com/album/elul-3830">ELUL 3830</a> (2020)</span></div><div><span style="font-family: courier;"><a href="https://animaenoctis.bandcamp.com/album/scarlet-experiment">Scarlet Experiment</a> (2022) </span></div><div><span style="font-family: courier;">Born in Nay (2020): <a href="https://lottadiclassico.files.wordpress.com/2020/11/bin.pdf">book</a> + <a href="https://animaenoctis.bandcamp.com/track/born-in-nay">track</a> </span></div><div><span style="font-family: courier;">métAMOURphose </span><span style="font-family: courier;">(2021)</span><span style="font-family: courier;">: </span><a href="https://lottadiclassico.files.wordpress.com/2021/05/metamourphose.pdf" style="font-family: courier;">book</a><span style="font-family: courier;"> </span><span style="font-family: courier;">+ </span><a href="https://animaenoctis.bandcamp.com/track/m-tamourphose" style="font-family: courier;">track</a></div><div><span style="font-family: courier;">ALIEN APOLLO APPAREL (2022): </span><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2022/07/aaa.pdf">book</a></span><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2022/07/aaa.pdf"> </a>+ </span><a href="https://animaenoctis.bandcamp.com/track/alien-apollo-apparel" style="font-family: courier;">track</a><span style="font-family: courier;"> </span></div><div><span style="font-family: courier;">Book me (2023) : <a href="https://lottadiclassico.files.wordpress.com/2023/05/bm.pdf">book</a></span></div><div><span style="font-family: courier;">Potentiality (2023) : <a href="https://lottadiclassico.files.wordpress.com/2023/09/potentiality.pdf">book</a> + <a href="https://animaenoctis.bandcamp.com/track/potentiality">track</a></span></div><div><span style="font-family: courier;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.animaenoctis.com/2021/08/ninabyron.html" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="1656" height="136" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDiUePlmQ6T93_3MBrR6fAgTqlTuQP2RMD05zseejfO8OMSk2qnMjXrZ6HJZES4lyFRExE6A4ds2xTJVmDYEQSz-rAFp3V7zBIWHMmYdMF4lVjDcDd7NBVIrUFvGLq34AE4IcV0v-FxqH9/w360-h136/LAYOUT+FB+4.jpg" width="360" /></a></div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2021/03/nb1.pdf"># 1</a> March 2021</span></div><div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2021/08/nib2.pdf"># 2</a> August 2021</span></div><div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2021/12/nb3.pdf"># 3</a> December 2021</span></div><div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2022/02/nib4.pdf"># 4</a> February 2022, special issue: PERFORMANCE ART</span></div><div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2022/05/nb5.pdf"># 5</a> May 2022, NO WAR = YES RAW</span></div><div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2022/10/nb6.pdf"># 6</a> October 2022, special issue: 100 YEARS OF ANTIFASCISM</span></div><div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2023/01/nb7.pdf"># 7</a> January 2023, HAPPY BIRTHDAY, JANIS JOPLIN! </span></div><div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2023/07/nb8.pdf"># 8</a> July 2023, </span><span style="font-family: courier;">special issue: MAKE-UP & COSPLAY</span></div><div><span style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2024/01/nb9.pdf"># 9</a> January 2024, </span><span style="font-family: courier;">special issue: CARNIVAL</span></div><div><br /></div><div style="text-align: center;"><span style="font-family: courier;">E-BOOKS</span></div><div style="text-align: center;"><span style="font-family: courier;"><br /></span></div><div><span style="font-family: courier;">Maryam ARIF-Massimo SANNELLI, </span><a href="https://lottadiclassico.files.wordpress.com/2016/05/box-thought1.pdf" style="font-family: courier;">Box Thought</a><span style="font-family: courier;"> </span></div><div><span style="font-family: courier;"><br /><div style="text-align: justify;">Elisabetta BRIZIO, <a href="https://lottadiclassico.files.wordpress.com/2016/03/lotta-di-classico-massimo-sannelli.pdf">Lotta di Classico. Il caso Massimo Sannelli</a>; <a href="https://lottadiclassico.files.wordpress.com/2016/09/compossui.pdf">Compos sui</a>; <a href="https://lottadiclassico.files.wordpress.com/2016/05/inemendabilita1.pdf">Inemendabilità</a>; <a href="https://lottadiclassico.files.wordpress.com/2016/06/riscrivere.pdf">Riscrivere l'origine, nel tempo</a>; <a href="https://lottadiclassico.files.wordpress.com/2017/05/nel.pdf">Il nome e l'enigma</a>; <a href="https://lottadiclassico.files.wordpress.com/2017/10/iodf.pdf">Io-noi, dentro-fuori</a>; <a href="https://lottadiclassico.files.wordpress.com/2017/12/imp.pdf">Impetu scandet</a>; <a href="https://lottadiclassico.files.wordpress.com/2019/03/me.pdf">Mésalliance</a>; <a href="https://lottadiclassico.files.wordpress.com/2019/10/dean2.pdf">Desolation Angel</a>; <a href="https://lottadiclassico.files.wordpress.com/2021/03/sogno.pdf">Il sogno che non varia</a>; <a href="https://lottadiclassico.files.wordpress.com/2021/04/idmvcs.pdf">L'immagine di me voglio che sia</a></div></span></div><div><div style="text-align: justify;"><span style="font-family: courier;"><br /></span></div><span style="font-family: courier;"> Dino CAMPANA, <a href="https://lottadiclassico.files.wordpress.com/2016/06/ermafrodito.pdf">Ermafrodito</a></span></div><div><span style="font-family: courier;"><br />Maurizio FERRARIS, <a href="https://lottadiclassico.files.wordpress.com/2017/03/lcdib.pdf">La condizione dell'in-baculum</a></span></div><div><br /></div><div><span style="font-family: courier;">Natalia </span><span style="font-family: courier;">FERNÁNDEZ DÍAZ-CABAL, <a href="https://lottadiclassico.files.wordpress.com/2024/02/spds.pdf">Segreta perfezione dello sfacelo</a>, traduzione di AnimaeNoctis</span></div><div><span style="font-family: courier;"><br />Franz KAFKA, <a href="https://lottadiclassico.files.wordpress.com/2020/06/kvv.pdf">Osservazioni sul peccato, la sofferenza...</a>, traduzione di Carlo Marcantoni Taddei</span></div><div><br /></div><div><span style="font-family: courier;">H.P. LOVECRAFT, <a href="https://lottadiclassico.files.wordpress.com/2021/11/tmoez.pdf">La musica di Erich Zann</a>, traduzione di Silvia Marcantoni Taddei</span></div><div><br /></div><div><span style="font-family: courier;">Silvia MARCANTONI TADDEI, <a href="https://lottadiclassico.files.wordpress.com/2020/11/smtsd.pdf">Sognàle discorsivo</a>; <a href="https://lottadiclassico.files.wordpress.com/2021/03/lmfs.pdf">La Musa Fedele</a></span></div><div><span style="font-family: courier;"><br /></span></div><div><span style="font-family: courier;">Marina PIZZI, <a href="https://www.blogger.com/#">Estinzione di chiaría</a> </span></div><div><span style="font-family: courier;"><br /></span></div><div><span style="font-family: courier;"> Francisco de QUEVEDO, <a href="https://lottadiclassico.files.wordpress.com/2018/02/sal.pdf">Stampa salva</a> </span></div><div><span style="font-family: courier;"><br /><div style="text-align: justify;">Massimo SANNELLI, <a href="https://lottadiclassico.files.wordpress.com/2016/11/master.pdf">Moments musicaux. To the Master</a> (2016); <a href="https://lottadiclassico.files.wordpress.com/2016/06/venti-sonetti.pdf">Venti sonetti</a> (2016); <a href="https://lottadiclassico.files.wordpress.com/2016/07/origine.pdf">Les origines du monde</a> (2016); <a href="https://www.blogger.com/#">Poesie nello stile del 1940</a> (2017); <a href="https://lottadiclassico.files.wordpress.com/2016/09/assoluto.pdf">L'assoluto</a> (2016); <a href="https://lottadiclassico.files.wordpress.com/2017/05/md.pdf">Memoriale della lingua italiana</a> (2017); <a href="https://lottadiclassico.files.wordpress.com/2018/01/fwmc.pdf">FW 17-18 MEN'S COLLECTION</a> (2018); <a href="https://lottadiclassico.files.wordpress.com/2018/09/nrml.pdf">Neuromelò </a>(2018); <a href="https://lottadiclassico.files.wordpress.com/2019/01/niim.pdf">Niímptem </a>(2019); <a href="https://lottadiclassico.files.wordpress.com/2019/07/themaine.pdf">A Part of the Maine</a> (2019); <a href="https://lottadiclassico.files.wordpress.com/2020/01/ummss.pdf">Una mattina mi son svegliata</a> (2020); <a href="https://lottadiclassico.files.wordpress.com/2020/02/riotspart.pdf">Riot's Part</a> (2020). Trilogia 2021: <a href="https://lottadiclassico.files.wordpress.com/2021/01/grnob.pdf">Grunge Nobilior</a>; <a href="https://lottadiclassico.files.wordpress.com/2021/04/icic.pdf">Il culo in cinerama</a>; <a href="https://lottadiclassico.files.wordpress.com/2021/07/opm.pdf">Organic Pyx, Madame</a>. </div><div style="text-align: justify;"><a href="https://lottadiclassico.files.wordpress.com/2022/02/sci.pdf">Scimmia Sapiens Superstar</a> (2022); <a href="https://lottadiclassico.files.wordpress.com/2023/07/udus.pdf">Una delle ultime sere della poesia italiana</a> (2023); <a href="https://lottadiclassico.files.wordpress.com/2023/09/unica.pdf">L'unica</a> (2023)</div></span></div><div><span style="font-family: courier;"><br /> William SHAKESPEARE, <a href="https://www.blogger.com/#">Bellamico</a> </span></div><div><span style="font-family: courier;"><br /> Matteo VERONESI, <a href="https://www.blogger.com/#">Mundus abit. Due variazioni su Serlone</a>; <a href="https://lottadiclassico.files.wordpress.com/2019/05/xim-1.pdf">Dieci inni alla morte</a> </span></div><div><span style="font-family: courier;"><br /></span></div><div><span style="font-family: courier;"><br /></span></div><div><span style="font-family: courier;"><br /></span> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /></div><div><br /></div>Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-3039716180786882332010-03-27T09:50:00.000+01:002019-08-13T11:52:58.692+02:00<div style="text-align: justify;">
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<span style="font-family: "georgia" , "times new roman" , serif;">-------> <a href="http://www.massimosannelli.net/2011/11/home.html">HOMEPAGE</a></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">-------> <a href="http://www.massimosannelli.net/2009/11/bio.html">CONTACTS</a></span><br />
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<br />
<span style="font-family: "georgia" , "times new roman" , serif;">two (italian) diaries. the first one is filled with <i>music</i> and <i>pictures</i>: that's why Alice in Wonderland will look for it ("what's the use of a book without pictures and dialogues?"):</span><br />
<a href="https://lottadiclassico.files.wordpress.com/2019/07/themaine.pdf"><span style="font-family: "georgia" , "times new roman" , serif;">A PART OF THE MAINE</span></a><br />
<a href="https://lottadiclassico.files.wordpress.com/2019/01/niim.pdf"><span style="font-family: "georgia" , "times new roman" , serif;">NIIMPTEM</span></a><br />
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<span style="color: white; font-family: "georgia" , "times new roman" , serif;">______________________________________________</span><br />
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<span style="color: white;">(english drafts and so on)</span><br />
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<span style="color: white; font-family: "georgia" , "times new roman" , serif;">03 gennaio 2019</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">My libido? Again? Forget about it.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">29 dicembre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I made this stuff - it's music - for a feature. But this is <i>neither</i> the beginning <i>nor </i>the final goal. We (<i>we?</i>) are prout to present this stuff. And we (<i>we?</i>) prod such stuff: </span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
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<span style="font-family: "georgia" , "times new roman" , serif;">24 dicembre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">It's kinda a diary's diary. I love it [<i>it</i>?]. The Deep North I'm living in wants me to pay more attention to the daily practice: that's why a city calls and you're a professional, aren't you? Merry Xmas, of course. Merry Xmas & bright movies.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">7-11 dicembre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">The gist of my work is here: in this diary, in my daily job & daily bread. It takes time to understand my dream (or my rude task). I'm not comfortable with the idea of comfort: it's time to up the ante, isn't it?</span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span><span style="font-family: "georgia" , "times new roman" , serif;">4 dicembre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Milan wants me. Milan wants me to understand the whole lucky moment I try to deserve.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">21 novembre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Embracing another city, another language and a new country is the reality I was longing for. (My God, the truth is that I was longing again for my de-th, of course; NOT NOW; because the best is coming and my birthday is coming like a thief and a fox; read the Gospels and be wise, my soul) - and my birthday is not the “reality I am longing for” at the moment. I’ll go and work, sure. Then I’ll be alone in a hotel like a solitary bitch and a real professional guy, but “the reality I was longing for” is not such an interesting play: but where is reality? Well, my soul: now you do say that there is your own reality. Right now or tomorrow. Well; go and look for it, prod yourself, I prod you & you prod me like the right animal I am.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">12 novembre 2018</span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">Lots of music (I made it). Very fond of (I want it). Always on the move (I need it). This is Milan, e.g. Always hungry (it's me). Positive thinking about dropped things. But </span><span style="font-family: "georgia" , "times new roman" , serif;">I <i>try</i> to be a tidy man, of course. The cinematic boss wants me to write a cinematic comedy after a cinematic tragedy: ok, let's be the versatile ones, again. The scary energy is always on the move and it's always hungry. There are also many memories: this stuff is right for writing. Well, I'm coming, Sir.</span></span><br />
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<span style="color: white; font-family: "georgia" , "times new roman" , serif;">31 ottobre 2018</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Good afternoon, China. I know you're used to reading me. Thanks. </span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">27 ottobre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Come, my songs, let us speak of perfection —</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">We shall get ourselves rather dislike.</span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">EZRA POUND. Of course. This is the translation we deserve. Do you <i><span style="color: red;">spear </span></i>the<i> </i>Italian language? Read Pound: he pounds the door to enter. Read Shakespeare. He has a spear. Be happy: your favourite writers have gorgeous weapons. Prods and Actions!</span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Miei canti, su, diciamo perfezione —</i></span></span><br />
<i style="font-family: georgia, 'times new roman', serif;"><span style="color: white;">Diventeremo un certo dispiacere.</span></i><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">21 ottobre 2018</span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">All of a sudden it takes a cunning idea to share. There's a harvest to <i>have </i>and do not forget it (the harvest is unforgettable). The director is talking about <i>Prods & Actions</i>. I myself made this odd battle cry for him (but I talked to myself, as usual). The strategy I deserve is the action I <i>serve</i>, of course. Let me repeat that "</span><span style="font-family: "georgia" , "times new roman" , serif;">It's Autumn now and I <i>am</i> not in a mood to fool around, and so on. </span><span style="font-family: "georgia" , "times new roman" , serif;">The bodily evidence of my workshop is always on the move. Fair enough: let's be more than realist, and that's why I <i>have</i> the bloody diary and a daily maze</span><span style="font-family: "georgia" , "times new roman" , serif;">".</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">11 ottobre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">All of a sudden it takes an extra in the scene to shoot: it's <i>me</i><i>.</i></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">The whole diary is like a weird maze. It's <i>me</i>. Its fucking Italian part starts again from the end. </span><span style="font-family: "georgia" , "times new roman" , serif;">It's always </span><i style="font-family: georgia, 'times new roman', serif;">me</i><span style="font-family: "georgia" , "times new roman" , serif;">. </span><span style="font-family: "georgia" , "times new roman" , serif;">OK, let's go: it was a cold Spring day and I was not in a mood to fool around. I had an eerie e-book to write (poems about God, the Brain & the Mind) and 3 or 4 screenplays to edit. It's Autumn now and I <i>am</i> not in a mood to fool around, and so on. </span><span style="font-family: "georgia" , "times new roman" , serif;">The bodily evidence of my workshop is always on the move. Fair enough: let's be more than realist, and that's why I <i>have</i> the bloody diary and a daily maze.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">29 settembre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;"><i>The Neon Demon</i> is a school or a trick? Is it theatre or a mockumentary? A pure heathen dream? A page whose title is "read me"? (read me and stop it).</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">24 settembre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">An interview is kinda the best thing a skilled <i>trickster </i>can do.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Nettle ink is required to express the bloody inner <i>garth</i>. <a href="http://www.literary.it/rubriche/dati/intervista/brizio_elisabetta/intervista_con_massimo_sannelli.html">Here you go</a>. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">19 settembre 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Ten days mean hard work and ears to hear the complete file. Well, I make this stuff and other awful things: feel free to reckon on <a href="https://lottadiclassico.files.wordpress.com/2018/09/nrml.pdf" style="font-weight: bold;">it</a>, guys, to know <a href="https://lottadiclassico.files.wordpress.com/2018/09/nrml.pdf" style="font-weight: bold;">it</a><b>.</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">9 settembre 2018 [with Cesare Pavese]</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">It is kinda being strong people: you can think "stop complaining", "lovely things will be always wellcome" out of a strange new <i>love</i>. It is kinda filmmaking on the best mountains here.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">26 agosto 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I have seen again the Odd House Lost in the Wood. A [Mad] [or Cunning] Man made it, because he was very selfish or hated the human kind [he was quite right], so he got rid of our own kind [can I really distance him? Silly question]. His Odd Masterwork is strong and Nature cannot corrupt its cement [at the moment]. Beautiful things are loved out of that awful <i>badass </i>attitude I've talked about.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">12 drawings in 47 hours.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">12 pieces of music: my dear béloved harvest.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">17 agosto 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I wonder what kind of Śānti have I had. There's a Silence filled with Pride and Sorrow. </span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">It is beyond belief, in addition to its beauteous monopoly, of course.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">12 agosto 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">There is a badass character and a huge maze to manage. There is the art of hiking - right, left, up, down - and a maze to solve, with few clues: the trail blazes if you hike. I work or study or walk, every day. No oversights, that's why you'll feel free to call <i>me</i>, in order to make <i>your </i>new movie<i>. </i>Problem solving, badass attitude and culture are ingredients for lofty projects. </span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">This note is but a pure advertising, isn't it? Prod your product again.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">9 agosto 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I'm always trying to get the best out of Sagittarius. I can't say I'm "a good hag", like Roberto Benigni as a cheater in an odd feature you should watch. No, the "good hag" is definitely out. Take a leaf out of Jack Nicholson's book. Stop mentioning Carmelo Bene. So over and out.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">7-8 agosto 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;"><i>The Thin Red Line</i>. No mistakes, no jokes, no playthings like the silly rocking horse and my post-fascist school. Childhood is over, thank God. You can have <i>everything</i> if the director is The Director, but such plenty can make you sick, dear Italy.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">5 agosto 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I did not think that p. was a lizard: p. is neither a person nor a reptile, but is an honourable manner. It's skillfulness and discipline. I liked so much delving in it and I was such a skilled delver, like a fictional killer. That's why I gently killed me. I went with the flow, of course, but p. disappointed me. Play it cool, you Friends, Romans, countrymen, bonkers guys, blond haired readers, holy Genoese bourgeoisie, patriots, former partners, feel free to understand what you like. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">p. has been the best art I've starred in: it was but a personal satisfaction and I didn't want to say that its fairy lines are less joyful than a couple of arts I'm delving in at the moment. Of course I couldn't help but think that a man AND a woman were the bloody incarnation of bloody p. They were its bodily evidence - and p. is an honourable manner...</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">1° agosto 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">The <i>doe</i>, yesterday, the real <i>doe</i>, the female fallow deer, yesterday - with the new notes I try to make this morning. OK, I can't grasp everything. The doe is not a rare animal, you know, but names can be grievous - and their beauty too.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Light and limelight are necessary to fathom such a thing. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">31 luglio 2018</span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">Pimping over and over, after </span><i style="font-family: georgia, 'times new roman', serif;">Dogville</i><span style="font-family: "georgia" , "times new roman" , serif;"> and so many memories and dreams. I made some music again. I think I want this stuff to be classical, barbarous and worth listening to. All of a sudden, there is an </span><i style="font-family: georgia, 'times new roman', serif;">extra</i><span style="font-family: "georgia" , "times new roman" , serif;">: the limelight.</span><span style="font-family: "georgia" , "times new roman" , serif;"></span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">30 luglio 2018</span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">I'm pimping an undertone work, because the old bloody </span><span style="font-family: "georgia" , "times new roman" , serif;">Autumn is coming. </span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">All of a sudden I'm taking the trouble to grasp the complete meaning of my huff. </span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I've watched again <i>Dogville</i>: that's why I can't sleep easy. My favourite keystones are fervently calling, but people are always so talkative and the little world is boring and so <i>on</i>.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">25 luglio 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Let's see: I saw a saint with her deafblind dog; an all-cock man, maybe a libertine; there was a sweet pale maiden; a lonely woman from Chile who said I'm such a cool actor and wanted me to take a picture with her; there was the talented singer - a nice girl - and the 47 years old Swedish cinephile. And there was also the daughter of a Russian director. I was there with my fucking delicate hiccup. I didn't want the others to hear this, to know that I loved them. So what? My fucking hiccup becomes a very cry, at home. <i>Blessure</i>. Blessing. Wounds of Women, wounds of Men, wounds of tiny Dogs. That's <i>why </i>I'm improving my forbidden zone. That's <i>why</i> I improvise. I act and that's all, folks.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">24 luglio 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Noise makes me sick. I don't want to go round the bend.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Let's talk about the specimen: a rifle or a trifle? My work is not a trifle to trifle with. And thus most of my countrymen <i>do not </i>understand these jottings. It's only English but I like it. That's why I jot my idle threats on a bright screen: "You seem somewhat familiar. Have I threatened you before?". This is not me, of course. By the way: I like it.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">21-22 luglio 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">These are but impromptu specks of English, in order to lighten the mood.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">The keystones are "as numerous as the stars". Eliane Radigue. </span><span style="font-family: "georgia" , "times new roman" , serif;">Such stars are uncountable. </span><span style="font-family: "georgia" , "times new roman" , serif;">Pierre Henry. Am I sane? Pauline Oliveros. </span><span style="font-family: "georgia" , "times new roman" , serif;">The sane is gambler. </span><span style="font-family: "georgia" , "times new roman" , serif;">Derek Bailey. Cecil Taylor, or The complete pregnancy. Amelia Rosselli, the perfect one. Lorenzo Calogero. Artaud. A one-off chance. Emily Dickinson. John Berryman. The unsheltered shelter. Giacinto Scelsi. The complete works are not grey in the shadows.</span></span><br />
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<span style="color: white; font-family: "georgia" , "times new roman" , serif;">It's about the so-called burden. OK: disavowing the native language is helpful. Let's share an odd thing: some animals have male pregnancy. Can they get gigantic? Do we know them? Who are they? The sweet seahorses, e.g. </span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I'm working hard and doing the utmost, every day. Maybe I'm pregnant. LOL.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">These are but impromptu specks of English, in order to lighten the mood.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Forget about it. There always will be something about keystones and shelters. Keep calm. A reliable language is here, right now: a shelter for werevolves, aliens, vampyres, loners. </span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></span>
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">These are but impromptu specks of English, in order to lighten the mood. A </span><span style="font-family: "georgia" , "times new roman" , serif;">shelter for werevolves, aliens, vampyres, loners. </span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">20 luglio 2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Petrarch's birthday, of course. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">My homeland was my distinguished cradle. Now it disappoints me. It always shows a leaden talent for such things. It takes an empty man </span><span style="font-family: "georgia" , "times new roman" , serif;">to dog Giacomo Leopardi. <i>When the burden is laid down</i>, Leopardi serves as a severe whip. You nearly achieve perfection if he beats you up.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">19 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">Beatitude itself opened its mouth, that's why I </span><i style="font-family: georgia, 'times new roman', serif;">can </i><span style="font-family: "georgia" , "times new roman" , serif;">make music. There is no privilege, but audacity. And Audacity.</span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">"When a man finds the good he cannot easily part from it insofar as it is good</span><span style="font-family: "georgia" , "times new roman" , serif;">": Meister Eckhart. Another loner says that "</span><span style="font-family: "georgia" , "times new roman" , serif;">When the lover is united to the beloved he rests there. When the burden is laid down it finds rest there</span><span style="font-family: "georgia" , "times new roman" , serif;">". </span><span style="font-family: "georgia" , "times new roman" , serif;">Ecstasy is not in the slaughterhouses.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">18 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">This language is the complete one, though. I know it's spoken in a </span><i style="font-family: georgia, 'times new roman', serif;">town of plenty.</i></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">The itch to </span><i style="font-family: georgia, 'times new roman', serif;">act</i><span style="font-family: "georgia" , "times new roman" , serif;"> is always in my mind. </span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">This is the evidence to long for. People don't want the Being Beauteous, they don't read Rimbaud, they want <i>you, and you</i>,<i> and you</i>, always. They think that beauty and being are a very body. This bloody body is you, OK? Now you're their Being, for a while. If bogans think <i>you're a body</i>, do not disappoint them. Don't hit the road or you're a fucking bastard: they won't forgive you.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">17 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Just feeling the itch to move, to slap, to hate again. No bodily violence, of course. The slap I'm talking about is a simple hint. A neigh? A sound. A bark? A word is a prick.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Just looking forward to the pearly moment of a glance at that moment.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Portrait of the hedhehog as an author. It and its herd broke up: now, it's a pure libertine, without libidinous mayhem. It would be a waste of time. The subject, the living first term, is alone and antic. It's hair-trigger since birth.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">16 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Chutzpah is real. Chutzpah is a behaviour in human reality. </span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Friends, Romans, countrymen, bonkers guys,<i> </i>blond haired readers,<i> </i>holy Genoese bourgeoisie, patriots,<i> </i>former partners, <i>reality does exist</i>. It wants my flesh, for example: after a 20 km walk reality knows if you're stern. We must be more than uncensored language. Language is but a glorious glare: words are bright, but reality wants you to pay a different attention to bodily evidence.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">I know I'm always looking for a <i>woody</i> space, not a woody speech. This space has four sides: the wood, the desk, the mountain, the stage. </span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">The value of bodily virtue is gorgeous. </span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">The control of bodily </span><i style="font-family: georgia, 'times new roman', serif;">lines </i><span style="font-family: "georgia" , "times new roman" , serif;">is gorgeous, too.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">14 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Saint-John Perse will be <i>one</i> of the next contenders. Yes, an agon is always on the table.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I listen to Paula Meehan's poetry. I try to understand lullabies and odd jokes; high quotations and icy imperatives. It's my job.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">All of a sudden it rains. The offhand style is rimed with hot water and lovely smoke.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">13 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Everything but the eerie cicadas. These sweet colleagues are not at home. They are engaged at the moment. They are singing.</span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">A new odd experiment with electronic music. OK. </span><span style="font-family: "georgia" , "times new roman" , serif;">Saturday wave wants to be a real pleasure. I like it. I'll share it.</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Well, my offhand oeuvre builds and builds. Two months. No pain, no sorrow, no lapse of memory, no ache, no more addiction. That's right.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">I met a man yesterday. He said: "What about your ideas? What is freedom, in your opinion?". I have no humble opinions. Well, you won't see a weather-beaten guy here. I'm not a fucking weathercock, a discreete cock. </span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">An unplugged </span><span style="font-family: "georgia" , "times new roman" , serif;">ENOUGH is forthcoming. Disavowing, again.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Guys, what about cicadas?</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">11-12 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Hustle and daily practice. Disavowing. The huge storytelling is definite. I must improve it. </span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">DISAVOWING the rest.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Everything but slavery. A good Dharma, now. The author must flourish it, like a flag. The right inner insight in the right place. The right job. A good inside must cherish the memo. Notes and notes: spoken words and quavers. The favourite colour is blue, isn't it? Or red. Yes, red.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">DISAVOWING the rest.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Let's nickname the practitioner: he's Mr Hedge Hog, aka G. Roove. </span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">DISAVOWING the rest.</span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">He's neither the welcome mat of normality nor its employee. One day, he thought that his very language was a tiny cage or a local custom. He invoked a supranational <i>Imperium</i> and a more honourable rule of engagement. He disavows the odd love he was involved in. He disavows the language he was so fond of. </span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">DISAVOWING the rest.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Now </span><span style="font-family: "georgia" , "times new roman" , serif;">listen to Keith Jarrett in Kyoto. </span></span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">This is but the first step in planning: do you understand to what degree </span><i style="font-family: georgia, 'times new roman', serif;">identity</i><span style="font-family: "georgia" , "times new roman" , serif;"> haunts </span><i style="font-family: georgia, 'times new roman', serif;">psychology</i><span style="font-family: "georgia" , "times new roman" , serif;">?</span><span style="font-family: "georgia" , "times new roman" , serif;"> </span><span style="font-family: "georgia" , "times new roman" , serif;">Flourish your own product. </span><span style="font-family: "georgia" , "times new roman" , serif;">DISAVOWING the bloody rest.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">11 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Do you really know a suburb? It is easy to be kind. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">What about the cute hedgehog? Take it as an example of cute endurance. Let's imagine a wordless stuff: it could be a photo story against ghettoisation or a series of ugly video-jottings. The tiny delicate mammal will star in our loitering oeuvre. </span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">The musical endeavour goes on and work is always ammo. I said it yesterday. I discover the <i>inhanced </i>practice of a complete justice: the hedgehog. Its family name shall be a well-deserved moniker: Mr Author, The Bar God and All the Rest, aka The Hedgehog, aka Groove or Mr G. Roove.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">10 luglio </span><span style="font-family: "georgia" , "times new roman" , serif;">2018</span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Work is ammo, isn't it?</span><br />
<span style="color: white;"><span style="font-family: "georgia" , "times new roman" , serif;">Get your groove on. Flourish your own product. Just prod it. <i>You</i> <i>were the shy guy</i>, a long time ago, but now you must reckon you're </span><span style="font-family: "georgia" , "times new roman" , serif;">a reliable fucking engine: a brain with its skillful struggle. You yourself are the huge open minded tool you were looking for. Awful. </span></span><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">Guys, feel free to become a multipurpose brain brand: but <i>you can't buy class</i>.</span><br />
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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-45358408221987171502010-03-17T03:02:00.070+01:002023-10-16T16:18:35.855+02:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: courier; font-size: large;">The photographer is <a href="http://www.silviamarcantonitaddei.net/">Silvia Marcantoni Taddei</a></span></div>
<div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: courier; font-size: large;">CLICK TO ENLARGE</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYCsHf4azWwJHTBCGF87chTGfU0nWu5cMzZmd_PhBbuiem5-EJGVZ-iWgMtvpnpfqzM48Dn9lFAauP2xhiQe8HNgfsH74h97OFM7sL5YE_WQC-sPgBojJPjaRPlMJhXXs2hyphenhyphenAxnRkSu2_BzsSLUpxgPXOmN4RhW9331IYaR_M2ru3wBDHF-u4dV03UPJGD/s4096/20231016_095241.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3072" data-original-width="4096" height="78" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYCsHf4azWwJHTBCGF87chTGfU0nWu5cMzZmd_PhBbuiem5-EJGVZ-iWgMtvpnpfqzM48Dn9lFAauP2xhiQe8HNgfsH74h97OFM7sL5YE_WQC-sPgBojJPjaRPlMJhXXs2hyphenhyphenAxnRkSu2_BzsSLUpxgPXOmN4RhW9331IYaR_M2ru3wBDHF-u4dV03UPJGD/w104-h78/20231016_095241.jpg" width="104" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyEBxJ9Zjs2JRILpp9GGgADsmF74VO-qFaRpCKPaPc2WrrgocMFIEuIBuBVt5v4DM1s_fyTBmiNKcRcTGgDZKIZr1xBPWFwS1K0xaoQBsfnNWjyFjczcVJwONLUq9rbQoW_GLUvvbFReMU1w8V_9f0x7ZoSyK1o3XU98aNjjXWD47kNta5AmnjVKxx7DIG/s4096/20231016_095257.jpg" imageanchor="1" style="margin-left: 1em; 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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-20436254162844904232010-01-06T02:52:00.011+01:002020-12-30T09:15:01.681+01:00<span style="font-family: courier; font-size: large;"><b>POLYMORPHOUS BUILDS</b></span><span style="font-family: courier; font-size: medium;"> </span><div><span style="font-family: courier;">Objects/Items/Bodies by Massimo Sannelli </span><div><span style="font-family: courier;">Photos: Silvia Marcantoni Taddei</span><div><span style="font-family: courier;"><br /></span></div><div><span style="font-family: courier;"><br /></span></div><div><div style="text-align: center;"><span style="font-family: courier;">CLICK TO ENLARGE</span></div>
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</div></div></div>Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-13481207684268352882009-11-03T12:19:00.010+01:002022-08-20T18:13:22.812+02:00<div class="separator" style="clear: both; text-align: center;">
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Therefore it may not be considered a publishing product as stated in Italian Law No. 62 of 7.03.2001.</span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: courier;"><span style="background-color: black;"><span style="color: white;"><span><br /></span></span></span></span></div><div style="text-align: center;"><span style="font-family: courier;"><span style="background-color: black;"><span style="color: white;"><span><br /></span></span></span></span></div><div style="text-align: center;"><span style="font-family: courier;"><span style="background-color: black;"><span style="color: white;"><span><br /></span></span></span></span></div><div style="text-align: center;"><span style="font-family: courier;"><span style="background-color: black;"><span style="color: white;"><span><br /></span></span></span></span></div><div style="text-align: center;"><span style="font-family: courier;"><span style="background-color: black;"><span style="color: 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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-31499057852048916122009-10-13T17:36:00.019+02:002023-09-09T18:26:39.138+02:00<span style="font-family: courier;"><span>Nel 2013 ho <a href="http://www.poesia2punto0.com/2013/03/21/laria-n-24-cinque-punti/"><span style="color: red;">rinnegato</span></a> pubblicamente le opere poetiche pubblicate fino ad allora.</span><br />
<span>Questa bibliografia contiene solo le opere riconosciute.</span><br />
<b><span><br /></span></b>
<b><span><br /></span></b>
<b><span>poesia </span></b><br />
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<span style="font-family: courier;"><span style="color: red;">Intendyo</span><span>, La Camera Verde, Roma 2016</span><br />
<span><span style="color: red;">Venti sonetti</span>, Lotta di Classico, 2016 : <b><a href="https://lottadiclassico.files.wordpress.com/2016/06/venti-sonetti.pdf">e-book</a></b></span><br />
<span style="color: red;">Moments musicaux. To the Master</span><span>, Lotta di Classico, 2016 : </span><b><a href="https://lottadiclassico.files.wordpress.com/2016/11/master.pdf">e-book</a></b><br />
<span><span style="color: red;">Memoriale della lingua italiana</span>, Lotta di Classico, 2017 : <b><a href="https://lottadiclassico.files.wordpress.com/2017/05/md.pdf">e-book</a></b></span><br />
<span><span style="color: red;">Poesie nello stile del 1940</span>, Lotta di Classico, 2017 : <b><a href="https://lottadiclassico.files.wordpress.com/2017/09/xl.pdf">e-book</a></b> </span><br />
<span><span style="color: red;">FW 17-18 MEN'S COLLECTION</span>, Lotta di Classico, 20</span><span>18 : <b><a href="https://lottadiclassico.files.wordpress.com/2018/01/fwmc.pdf">e-book</a></b></span><span></span><br />
<span><span style="color: red;">Neuromelò</span>, Lotta di Classico, 2018 : <b><a href="https://lottadiclassico.files.wordpress.com/2018/09/nrml.pdf">e-book</a></b></span><br />
<span><span style="color: red;">Una mattina mi son svegliata</span><span style="color: white;">,</span></span><span style="color: black;"> </span><span style="color: white;"><span>Lotta di Classico, 2020 </span><span>:</span></span><span style="color: black;"> <b><a href="https://lottadiclassico.files.wordpress.com/2020/01/ummss.pdf">e-book</a></b></span></span></div><div style="text-align: left;"><span style="color: red; font-family: courier;">Grunge Nobilior</span><span style="font-family: courier;">, Lotta di Classico, 2021 : </span><b style="font-family: courier;"><a href="https://lottadiclassico.files.wordpress.com/2021/01/grnob.pdf">e-book</a></b><span style="font-family: courier;"> </span></div><div style="text-align: left;"><span style="font-family: courier;"><span style="color: red;">Il culo in cinerama</span>, Lotta di Classico, 2021 : <b><a href="https://lottadiclassico.files.wordpress.com/2021/04/icic.pdf">e-book</a></b></span></div><div style="text-align: left;"><span style="font-family: courier;"><span style="color: red;">Organic Pyx, Madame</span>, Lotta di Classico, 2021 : <b><a href="https://lottadiclassico.files.wordpress.com/2021/07/opm.pdf">e-book</a></b></span></div><div style="text-align: left;"><span style="font-family: courier;"><span style="color: red;">Una delle ultime sere della poesia italiana</span>, Lotta di Classico, 2023 : <b><a href="https://lottadiclassico.files.wordpress.com/2023/07/udus.pdf">e-book</a></b></span></div><div style="text-align: left;"><span style="font-family: courier;"><span style="color: red;">L'unica</span>, Lotta di Classico, 2023 : <a href="https://lottadiclassico.files.wordpress.com/2023/09/unica.pdf"><b>e-book</b></a><br />
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<b><span style="font-family: courier;">grafica</span></b></div>
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<span style="font-family: courier;"><span><span style="color: red;">This is visual poetry, by massimo sannelli</span>, Chapbookpublisher.com, Kingston (PA) 2011 (collana<span class="apple-converted-space"> </span><a href="http://www.thisisvisualpoetry.com/" target="_blank">This is visual poetry</a>). Contiene 17 immagini, senza testo</span><br />
<span><span style="color: red;">Riot's Part</span>, Lotta di Classico, 2020 : <b><a href="https://lottadiclassico.files.wordpress.com/2020/02/riotspart.pdf">e-book</a></b></span></span></div><div style="text-align: left;"><span style="font-family: courier;"><span style="color: red;">Born in Nay</span>, foto di Silvia Marcantoni Taddei, Lotta di Classico, 2020 : </span><b style="font-family: courier;"><a href="lottadiclassico.files.wordpress.com/2020/11/bin.pdf">e-book</a></b></div>
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<span style="font-family: courier;"><span style="color: red;">Scuola di poesia</span>,<span class="apple-converted-space"> </span>Vydia, Montecassiano 2011 </span></div>
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<span style="font-family: courier;"><span style="color: red;">Digesto</span><span>, Tormena, Genova 2014</span><br />
<span><span style="color: red;">Box Thought</span> [in collaborazione con Maryam Arif], Lotta di Classico, 2016 : <b><a href="https://lottadiclassico.files.wordpress.com/2016/05/box-thought1.pdf">e-book</a></b></span><br />
<span><span style="color: red;">L'assoluto</span>, Lotta di Classico, 2016 : <b><a href="https://lottadiclassico.files.wordpress.com/2016/09/assoluto.pdf">e-book</a></b></span><br />
<span><span style="color: red;">Niímptem</span>, Lotta di Classico, 2019 : <b><a href="https://lottadiclassico.files.wordpress.com/2019/01/niim.pdf">e-book</a></b></span><br />
<span><span style="color: red;">A Part of the Maine</span>, Lotta di Classico, 2019 : <b><a href="https://lottadiclassico.files.wordpress.com/2019/07/themaine.pdf">e-book</a></b></span></span></div><div style="text-align: left;"><span style="font-family: courier;"><span style="color: red;">Scimmia Sapiens Superstar</span>, Lotta di Classico, 2022 : <b><a href="https://lottadiclassico.files.wordpress.com/2022/02/sci.pdf">e-book</a></b><b><br /></b>
<b><span><br /></span></b>
<b><span>studi</span></b><br />
<span><span style="color: red;">Philologia Pauli. Il corpo e le ceneri di Pasolini</span>,<span class="apple-converted-space"> </span> Fara, Rimini 2006</span></span></div></div></div><div>
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<b><span>edizioni di testi moderni</span></b><span></span><br />
<span style="color: red;"><a href="http://www.unarapidaebbrezza.blogspot.com/" target="_blank">Una rapida ebbrezza. I giorni genovesi di Elisabetta d'Austria</a></span><span>, GMT, Genova 2012. Ristampa, con un testo in più: GMT, Genova 2013 </span></span></div></div><div style="text-align: center;"><div style="text-align: left;"><span style="font-family: courier;"><b><span><br /></span></b>
<b><span>traduzioni in volume</span></b></span></div></div>
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<span style="font-family: courier;">Emily Dickinson,<span class="apple-converted-space"> </span><span style="color: red;">Su un Io Colonna</span>, La Camera Verde, Roma 2007<o:p></o:p></span></div>
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<span style="font-family: courier;">Eric Suchère,<span class="apple-converted-space"> </span><span style="color: red;">Fissa, desola in inverno</span>, Cantarena, Genova 2006<o:p></o:p></span></div>
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<span style="font-family: courier;">Éric Suchère,<span class="apple-converted-space"> </span><span style="color: red;">Surfaces - Dans l'atmosphère de</span>, La Camera Verde, Roma 2008<o:p></o:p></span></div>
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<span style="font-family: courier;">Rati Saxena,<span class="apple-converted-space"> </span><span style="color: red;">Canti d'amore nell'Atharvaveda</span>, Cantarena, Genova 2009<o:p></o:p></span></div>
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<span style="font-family: courier;">Nostradamus,<span class="apple-converted-space"> </span><span style="color: red;">I doveri</span>, Cantarena, Genova 2012, e-book : <a href="http://issuu.com/poesia2.0/docs/i_doveri_-_nostradamus_sannelli" target="_blank"><b>qui</b></a></span></div></div></div></div></div><div><div style="margin: 0cm 0cm 0pt; text-align: left;">
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<span style="font-family: courier;">Benoït Gréan, <span style="color: red;">Mostri tiepidi</span>, prefazione di Valerio Magrelli, Empiria, Roma 2013</span></div>
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<span style="font-family: courier;"><span>Joë Bousquet, <span style="color: red;">Mistica</span>, La Finestra, Lavis 2013</span><br />
<span>William Shakespeare, <span style="color: red;">Bellamico</span>, Lotta di Classico, 2016 : <b><a href="https://lottadiclassico.files.wordpress.com/2016/06/bellamico.pdf">e-book</a></b></span><br />
<span>Francisco de Quevedo, <span style="color: red;">Stampa salva</span>, Lotta di Classico, </span><span>20</span><span>18 </span><span>: </span><b><a href="https://lottadiclassico.files.wordpress.com/2018/02/sal.pdf">e-book</a></b><br /></span></div></div></div></div><div><div style="margin: 0cm;"><div style="text-align: left;"><div style="text-align: center;">
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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-44299878050001351142009-02-26T02:40:00.003+01:002022-08-20T18:16:24.236+02:00<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
<div style="text-align: right;"><br /></div></div><div style="text-align: center;"><span style="font-family: courier;"><span>Quando la mappa indica il problema : <b><a href="https://www.sanmarcodeigiustiniani.it/download/quando-la-mappa-indica-il-problema-massimo-sannelli/">qui</a></b></span></span></div><div style="text-align: center;"><span style="font-family: courier;"><span>Sognare Pasolini : <b><a href="https://www.filmakersmagazine.com/sognare-pasolini/">qui</a></b></span><br />
<span>Due interviste : <b><a href="https://www.paginatre.it/online/intenzioni-centauriche-e-faunesche-due-dialoghi-con-massimo-sannelli/">qui</a></b></span><br />
<span>9 punti : <b><a href="http://www.poesia2punto0.com/2012/09/03/laria-n-17-9-punti/">qui</a></b></span><br />
<span><i>Secretum </i>professionale (con Dante): <b><a href="http://www.poesia2punto0.com/2012/07/16/laria-n-15-secretum-professionale/">qui</a></b></span><br />
<span>Appunti-asino : <b><a href="http://www.poesia2punto0.com/2012/08/19/massimo-sannelli-appunti-asino/">qui</a></b></span><br />
<span>The House That Jack Built : <b><a href="https://www.filmakersmagazine.com/the-house-that-jack-built-2/">qui</a></b></span><br />
<span>Etienne Zerah : <b><a href="http://www.poesia2punto0.com/2013/01/02/laria-n-23-zerah/">qui</a></b></span><br />
<span>Sono tornato : <b><a href="https://www.filmakersmagazine.com/sono-tornato/">qui</a></b></span><br />
<span>Rivogliamo tutto : <b><a href="https://www.filmakersmagazine.com/rivogliamo-tutto-il-ritorno-di-franchesca-page/">qui</a></b></span><br />
<span>Come imparai ad amare i costumi : <b><a href="https://arteeabbigliamento.wordpress.com/2018/12/21/come-imparai-ad-amare-i-costumi-servizio-dellattore-massimo-sannelli/">qui</a></b></span><br />
<span>Per non dormire : <b><a href="https://arteeabbigliamento.wordpress.com/2018/11/22/per-non-dormire-servizio-di-massimo-sannelli/">qui</a></b></span><br />
<span>La tranquilla eleganza : <b><a href="https://arteeabbigliamento.wordpress.com/2018/11/16/la-tranquilla-eleganza-servizio-dellattore-massimo-sannelli/">qui</a></b></span><br />
<span>Five Years, No Tears (dialogo con Elisabetta Brizio) : <b><a href="http://www.literary.it/rubriche/dati/intervista/brizio_elisabetta/intervista_con_massimo_sannelli.html">qui</a></b></span><br />
<span>Scheda su Adelaide Ricci : <b><a href="https://edizionikolibris.net/index.php/2018/07/04/adelaide-ricci-il-nome-nuovo/">qui</a></b></span><br />
<span>Scheda per <i>Come una statua nella nebbia... </i>: <b><a href="http://edizionikolibris.net/index.php/2018/06/06/in-uscita-4/">qui</a></b></span><br />
<span>La prima delle cose buone è la luce: Coral Bracho : <b><a href="http://irisnews.net/coral-bracho-la-prima-delle-cose-buone-e-la-luce/">qui</a></b></span><br />
<span>Il lettore deve fiorire : David Huerta : <b><a href="http://irisnews.net/il-lettore-deve-fiorire-david-huerta/">qui</a></b></span><br />
<span>Diario del Fauno : nota autocritica : <b><a href="https://lottadiclassico.files.wordpress.com/2018/04/diario-del-fauno.pdf">qui</a></b></span><br />
<span>Claire Askew : <b><a href="http://irisnews.net/claire-askew-attualmente-su-questo-schermo/">qui</a> </b>e<b> <a href="http://edizionikolibris.net/index.php/2018/05/24/claire-askew-questo-cambia-le-cose/">qui</a></b></span><br />
<span>Maneggiare con cautela questa materia : <b><a href="http://irisnews.net/ursula-krechel-maneggiare-con-cautela-questa-materia/">qui</a></b></span><br />
<span>Una memoria più tatuata che cosciente : <b><a href="http://irisnews.net/conceicao-lima-una-memoria-piu-tatuata-che-cosciente/">qui</a></b></span><br />
<span>Inger Christensen : </span><b><a href="http://irisnews.net/inger-christensen-la-forza-e-nelle-parole/">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;"><span>E poi rilassarti, solo : <b><a href="http://www.irisnews.net/passero-solitario/">qui</a></b></span><br />
<span>Un esule non è un morituro in vacanza : </span><b><a href="http://irisnews.net/un-esule-non-e-un-morituro-in-vacanza-un-exile-nest-pas-un-moribond-en-vacances/">qui</a></b><br />
<span>Manuale di poesia. Charles Ducal : <b><a href="http://irisnews.net/charles-ducal-de-hand-la-mano/">qui</a></b></span><br />
<span><i>Bourgeoise oblige </i>: <b><a href="http://irisnews.net/bourgeoise-oblige/">qui</a></b></span><br />
<span><i>Himmel</i>. Rose Ausländer : <b><a href="http://irisnews.net/rose-auslander-nella-pioggia-di-cenere-la-traccia-del-tuo-nome/">qui</a></b></span><br />
<span>Ana Luísa Amaral : <b><a href="http://edizionikolibris.net/index.php/2018/01/28/ana-luisa-amaral-voci-2/">qui</a></b></span><br />
<span>Bill Manhire : <b><a href="http://irisnews.net/bill-manhire-2/">qui</a></b> </span><br />
<span>Paula Meehan : <b><a href="http://irisnews.net/paula-meehan-geomantic-geomantico/">qui</a></b></span><br />
<span>Paul Henry : <b><a href="http://irisnews.net/paul-henry-and-all-my-childhood-songs-fly-out-e-tutti-i-miei-canti-dinfanzia-volano-fuori/">qui</a></b></span><br />
<span>Werner Lambersy : <b><a href="http://irisnews.net/werner-lambersy/">qui</a></b></span><br />
<span>Il giorno 24 dicembre / L'oltraggio precisamente : <b><a href="https://rebstein.wordpress.com/2017/12/24/il-giorno-24-dicembre/">qui</a> </b>e <b><a href="https://irisnews.net/massimo-sannelli-loltraggio-precisamente/">qui</a></b></span><br />
<span>Khaled Youssef e Murielle Compère-Demarcy : <b><a href="http://xn--khaled%20youssef%20%26%20murielle%20compre-demarcy-yme/">qui</a></b></span><br />
<span>Omer Massem : </span><b><a href="https://irisnews.net/omer-massem-materia-di-lentezza-anticipazione/">qui</a></b><br />
<span>Silvia Belcastro : <b><a href="http://irisnews.net/langelo-della-storia-ha-paura/">qui</a></b></span><br />
<span><i>Revolvere saxa</i>. Francesco Benozzo : <b><a href="http://irisnews.net/revolvere-saxa-sullopera-di-francesco-benozzo/">qui</a></b></span><br />
<span><i>Eptapodi, </i>introduzione a Chiara De Luca, <i>Il mondo è nato</i> : <b><a href="http://edizionikolibris.net/index.php/2017/08/31/chiara-de-luca-il-mondo-e-nato-2/">qui</a></b></span><br />
<span><i>Something About Reincarnation</i> : <b><a href="http://www.associazione-elisabetta-sisi.org/home/2017/08/02/something-about-reincarnation-di-massimo-sannelli/">qui</a></b></span><br />
<span>"Gli idioti non dovrebbero..." : <b><a href="http://chiaradeluca.net/index.php/2017/08/19/78260/">qui</a></b></span><br />
<span>Via degli Occhi Sporgenti : <b><a href="https://lottadiclassico.files.wordpress.com/2017/07/via-degli-occhi-sporgenti.pdf%EF%BB%BF">qui</a></b>, ripreso <b><a href="http://rebstein.wordpress.com/2017/07/23/via-degli-occhi-sporgenti/">qui</a></b> e <b><a href="https://uhmagazine.blogspot.it/2017/07/massimo-sannelli-ai-narratori-di-pino.html">qui</a></b></span><br />
<span>Mi domando che padri avete avuto : <b><a href="http://borderonline.it/2017/07/17/mi-domando-che-padri-avete-avuto-massimo-sannelli/">qui</a></b></span><br />
<span>Intervista, febbraio 2017 : <b><a href="https://antoniobux.wordpress.com/2017/02/08/interviste-massimo-sannelli-2/">qui</a></b></span><br />
<span>Intervista su cinema e vampiri : <a href="http://www.cineclubromafedic.it/images/ccroma/diaricineclub/diaricineclub_046.pdf" style="font-weight: bold;">qui</a>, p. 15 del .pdf</span><br />
<span>Un articolo in volgare : <b><a href="http://irisnews.net/massimo-sannelli-un-articolo-in-volgare/">qui</a></b></span><br />
<span>Durante! Durante! : <b><a href="http://www.papalepapale.com/rubrica/durante-durante/">qui</a></b></span><br />
<span>L'Assoluto (frammenti) : <b><a href="http://www.corrieredellospettacolo.net/2016/07/03/pubblichiamo-frammenti-lassoluto-poema-prosa-dello-scrittore-massimo-sannelli/">qui</a></b></span><br />
<span>Ipotesi, appunti, profezie : <b><a href="http://www.circolo-latorre.com/home.jsp?idrub=45664">qui</a></b></span><br />
<span>Presentazione bastarda : <b><a href="http://www.papalepapale.com/rubrica/presentazione-bastarda/">qui</a></b></span><br />
<span>Amerò te. Un po' di <i>ludus</i> : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/10633-2016-05-27-08-37-51.html">qui</a></b></span><br />
<span>Rebis inizia a vivere : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/scienza-e-natura/10530-rebis-inizia-a-vivere.html">qui</a></b></span><br />
<span>L'onore, la lealtà, la... : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/311-storia/10479-lonore-la-lealta-la.html">qui</a></b></span><br />
<span>La cultura? Un rapporto tra amici : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10450-la-cultura-un-rapporto-tra-amici.html">qui</a></b></span><br />
<span>Giuro sul dolly, ecc. : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/10394-giuro-sul-dolly-ecc.html">qui</a></b></span><br />
<span>Quale dinamismo? Quale fluidità? : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10334-2016-04-01-09-49-49.html">qui</a></b></span><br />
<span>Appunti per un corso impossibile 3 : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10292-appunti-per-un-corso-impossibile-3.html">qui</a></b></span><br />
<span>Appunti per un corso impossibile 2 : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10289-appunti-per-un-corso-impossibile-2.html">qui</a></b></span><br />
<span>Appunti per un corso impossibile : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10274-appunti-per-un-corso-impossibile.html">qui</a></b></span><br />
<span>The Wolfpack : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/10201-the-wolfpack.html">qui</a></b></span><br />
<span>MCMXXXVI [audio e testo] : <b><a href="http://irisnews.net/massimo-sannelli-mcmxxxvi/">qui</a> </b>(versione abbreviata<b> <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/10359-mcmxxxvi.html">qui</a></b>)</span><br />
<span>E il Futurismo? : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10162-e-il-futurismo.html">qui</a></b></span><br />
<span>A se stesso, lettore di Erwin Einzinger : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10134-a-se-stesso-lettore-di-erwin-einzinger.html">qui</a></b></span><br />
<span>Patrick Grainville, <i>L'orgie, la neige</i> : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10108-patrick-grainville-lorgie-la-neige.html">qui</a></b></span><br />
<span>Dal diario (ottobre 2015; gennaio 2016) : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/10096-dal-diario-ottobre-2015-gennaio-2016.html">qui</a></b></span><br />
<span>Frammenti dell'Assoluto : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/10026-frammenti-dellassoluto.html">qui</a></b></span><br />
<span>Il Fauno impara l'arte :</span><b> <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/9996-il-fauno-impara-larte.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Estetica bastarda : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/9960-estetica-bastarda.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Rebis e due frammenti di politica : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/9955-rebis-e-due-frammenti-di-politica.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Rebis e tre frammenti : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/9928-rebis-e-tre-frammenti.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Economia rosata : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/9910-economia-rosata.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Madre Teresa e gli altri santi : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/9884-madre-teresa-e-gli-altri-santi.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Pasolini, Dracula... : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/9867-pasolini-dracula-jekyll-hyde-pelosi-morrissey.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il Vampiro ideale : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/9842-il-vampiro-ideale.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Frasi per l'educazione degli Italiani : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/9829-frasi-per-leducazione-degli-italiani.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Pasolini nudo, Sanguineti in jeans... : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/9806-pasolini-nudo-sanguineti-in-jeans-calvino-in-mutande.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Frammenti di <i>ars politica</i> : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/9791-frammenti-di-ars-politica.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Es-empio. Il 'caso' Massimo Sannelli : <b><a href="http://www.youblisher.com/p/1252546-L-Es-empio-Il-caso-Massimo-Sannelli-a-cura-di-Elisabetta-Brizio/">qui</a></b></span></div>
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<span style="font-family: courier;">Ultime glosse sull'Ambiguo : <b><a href="http://bibliomanie.it/ultime_glosse_ambiguo_pasolini_sannelli.htm">qui</a></b></span></div>
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<span style="font-family: courier;">Poesie inedite : <b><a href="http://irisnews.net/massimo-sannelli/">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Intervista, a cura di Livia Napolitano : <b><a href="https://nottetempoblog.wordpress.com/2015/09/11/nottetempoblog-presenta-lotta-di-classico-il-1numero-della-nuova-iniziativa-editoriale-di-massimo-sannelli/">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;"><i>Cobain, Montage of Heck</i> : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/musica-e-concerti/9296-cobain-montage-of-heck.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il Sagittario pensa all'arte : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/9278-il-sagittario-pensa-allarte.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">L'ailanto e il mullah Omar : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/9204-lailanto-e-il-mullah-omar.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;"><i>Interrogation</i>, il primo libro di Pierre Drieu la Rochelle : <b><a href="http://www.bibliomanie.it/interrogation_pierre_drieu_la_rochelle_massimo_sannelli.htm">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Punti di un diario, 5 : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/9098-punti-di-un-diario-5.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Lagerfeld o Diprè? : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/9095-2015-07-12-10-05-43.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Poesie inedite: <b><a href="http://www.utsanga.it/index.php/sannelli-poesie-inedite-2014-2015/">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Fantasia del letto : <b><a href="http://lottadiclassico.files.wordpress.com/2015/05/fantasia-del-letto.pdf">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Appunto sulle cose : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/311-storia/8704-appunto-sulle-cose.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Non c'è prosa senza spina : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8665-2015-04-18-12-11-35.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Erre-I-Emme-Bi-A-U-Di : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8636-erre-i-emme-bi-a-u-di.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Virtù di Ariete : <b><a href="https://lafinestraeditrice.files.wordpress.com/2015/04/virtc3ba-di-ariete-cagnone.pdf">qui</a> </b>(ripreso<b> <a href="http://uhmagazine.blogspot.it/2015/04/massimo-sannelli-sperma-di-ariete-e-di.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Se hai paura della storia, perché ti fai vedere? : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8583-2015-04-01-09-55-28.html">qui</a></b></span></div>
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<span style="font-family: courier;">Appunti su Hafez : <b><a href="http://www.poesia2punto0.com/2013/09/06/appunti-su-%e1%b8%a5afez/">qui</a></b></span></div>
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<span style="font-family: courier;">Il cerchio occidentale : <b><a href="https://lafinestraeditrice.files.wordpress.com/2013/07/per-un-enciclopedismo-caleidoscopico.pdf">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Fabio Giovinazzo a Palazzo Rosso : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/teatro/8563-fabio-giovinazzo-a-palazzo-rosso-genova.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Masochismo borghese : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8554-masochismo-borghese.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Punti di un diario, 4 : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8542-punti-di-un-diario-4.html">qui</a> </b>(ripreso<b> <a href="http://uhmagazine.blogspot.it/2015/03/massimo-sannelli-la-mentula-e-il-vero.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Vedere Beckett nel 1956 : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/teatro/8501-vedere-beckett-nel-1956.html">qui</a></b></span></div>
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<span style="font-family: courier;">Il cono di Portman : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8492-il-cono-di-portman.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Punti di un diario, 3 : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8487-punti-di-un-diario-3.html">qui</a> </b>(ripreso<b> <a href="http://uhmagazine.blogspot.it/2015/03/massimo-sannelli-il-fanciullino-storico.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Méte moi méli méte mélissa : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8458-2015-03-04-14-47-27.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Punti di un diario, 2 : <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8434-punti-di-un-diario-2.html" style="font-weight: bold;">qui</a><b> </b>(ripreso<b> <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8434-punti-di-un-diario-2.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">La vipera è Leopardi : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8409-2015-02-23-13-13-41.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il Papa-clown : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/8403-il-papa-clown.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Punti di un diario : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8390-punti-di-un-diario.html">qui</a> </b>(ripreso<b> <a href="http://uhmagazine.blogspot.it/2015/02/barthes-scrive-bene-massimo-sannelli.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Tre schegge dantesche : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8358-tre-schegge-dantesche.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Caso freddo, cuore caldo. Pasolini : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8337-caso-freddo-cuore-caldo-pasolini.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Carmen Consoli reloaded : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/musica-e-concerti/8301-carmen-consoli-reloaded.html">qui</a> </b>(testo formattato, con una variante:<b> <a href="http://www.larecherche.it/testo.asp?Tabella=Articolo&Id=1300">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Non si tocca, non si dice : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/311-storia/8264-non-si-tocca-non-si-dice.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il duca Sottoponte si rivela : <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8238-il-duca-sottoponte-si-rivela.html" style="font-weight: bold;">qui</a><b> </b>(ripreso <b><a href="http://uhmagazine.blogspot.it/2015/01/massimo-sannelli-il-duca-sottoponte.html">qui</a></b>; testo formattato<b> </b><a href="http://www.larecherche.it/testo.asp?Id=1293&Tabella=Articolo" style="font-weight: bold;">qui</a>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;"><span>Risposte alle domande di Peter Brook (3) : </span><b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/teatro/8214-risposte-alle-domande-di-peter-brook-parte-3.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Risposte alle domande di Peter Brook (2) : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/teatro/8202-risposte-alle-domande-di-peter-brook-parte-2.html">qui</a> </b>(testo formattato <a href="http://www.larecherche.it/testo.asp?Id=1280&Tabella=Articolo" style="font-weight: bold;">qui</a>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Risposte alle domande di Peter Brook (1) : <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/teatro/8185-risposte-alle-domande-di-peter-brook-parte-1.html" style="font-weight: bold;">qui</a> (testo formattato<b> <a href="http://www.larecherche.it/testo.asp?Tabella=Articolo&Id=1279">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Venditti reloaded : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/musica-e-concerti/8173-venditti-reloaded.html">qui</a> </b>(ripreso<b> <a href="http://uhmagazine.blogspot.it/2015/02/solo-una-bella-giornata-di-sole-massimo.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">La gabbia satirica, la santa semplicità : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/salute-e-medicina/8156-2015-01-11-13-33-10.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">I primi 30 minuti della <i>Grande bellezza</i> : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8134-i-primi-30-minuti-della-grande-bellezza.html">qui</a> </b>(ripreso<b> <a href="http://uhmagazine.blogspot.com/2015/01/jep-gambardella-e-il-migliore-di-tutti.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il Duce che volete : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/8125-il-duce-che-volete.html">qui</a></b></span></div>
<span style="font-family: courier;"><br />
</span><div style="text-align: center;">
<span style="font-family: courier;"><span><i>e</i>-FLIES [e-book, .pdf] : </span><b><a href="http://lottadiclassico.files.wordpress.com/2014/12/e-flies.pdf">qui</a></b></span></div>
<span style="font-family: courier;"><span></span><br />
</span><div style="text-align: center;">
<span style="font-family: courier;"><i>e</i>-FLIES [autopresentazione] : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8113-e-flies.html">qui</a></b></span></div>
<span style="font-family: courier;"><span>
</span>
<br />
</span><div style="text-align: center;">
<span style="font-family: courier;">D'Annunzio realoded : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8103-dannunzio-reloaded.html">qui</a> </b>(ripreso<b> <a href="http://uhmagazine.blogspot.it/2014/12/massimo-sannelli-dannunzio-reloaded.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il lavoro ammazza : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8091-il-lavoro-ammazza.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Fango esaltato. Due visioni di Roma : <b><a href="http://www.larecherche.it/testo.asp?Id=1267&Tabella=Articolo">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Un augurio genovese : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/311-storia/8081-un-augurio-genovese.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Scheggia per Lorenzo Calogero : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/8064-scheggia-per-lorenzo-calogero.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Amai il nerd : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8055-amai-il-nerd.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Lotta di classico : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8042-lotta-di-classico.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">La gloria : <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/teatro/8016-la-gloria-un-monologo-inedito.html"><b>qui</b></a></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Per Marina Pizzi : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/8000-per-marina-pizzi.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Antitesi al contemporaneo : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/7991-antitesi-al-contemporaneo.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">De Rosa Mystica (e il cinema) : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7950-de-rosa-mystica-e-il-cinema.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Leopardi Reloaded! : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7929-leopardi-reloaded.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Manzoni Reloaded! : <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7901-manzoni-reloaded.html" style="font-weight: bold;">qui</a>, ripreso<b> <a href="http://gaudiaduepuntozero.blogspot.it/2014/11/una-lucia-con-i-seni-della-temperanza.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Assassini a piede libero : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7881-assassini-a-piede-libero.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">L'attore fa per fare : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7863-lattore-fa-per-fare-raffaele-perrotta.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il nero, la porpora, l'essenziale : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/7846-il-nero-la-porpora-lessenziale.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Un'Associazione per Elisabetta d'Austria : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/311-storia/7826-unassociazione-per-elisabetta-daustria.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">9 marzo 1973 : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7803-9-marzo-1973.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Casa di riposo per marinai : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7786-casa-di-riposo-per-marinai.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il Berlinguer di Veltroni : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/7768-il-berlinguer-di-veltroni.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Pornofilosofia? : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/7757-pornofilosofia.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Cinque motivi di disperazione : <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7744-cinque-motivi-di-disperazione.html" style="font-weight: bold;">qui</a> (ripreso<b> <a href="http://pingapa.blogspot.it/2014/11/la-canon-digitale-di-salgado-massimo.html">qui</a>)</b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Intervista, a cura di Veronica de Lorenzo : <b><a href="http://mvmilan-rome.blogspot.it/2014/10/a-tu-per-tu-con-lo-scrittore-massimo.html">qui</a> </b>e<b> <a href="http://it.paperblog.com/a-tu-per-tu-con-lo-scrittore-massimo-sannelliquando-la-poesia-ha-il-ritmo-della-vita-2557603/">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Frammenti su Rob Brezsny : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7679-frammenti-su-rob-brezsny.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Loretta Goggi e tutto : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/7653-loretta-goggi-e-tutto.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Appunto di teatro : <b><a href="http://www.aleramonlus.it/appunto-di-teatro">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Appunto di poetica : <b><a href="http://www.aleramonlus.it/appunto-di-poetica">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Chi sono gli alieni? : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7595-chi-sono-gli-alieni.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Lamento e trionfo : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7544-lamento-e-trionfo.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Coltrane e applicarsi : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/musica-e-concerti/7529-coltrane-e-applicarsi.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">L'essere è, il non essere non è : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7274-2014-09-02-13-52-12.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il Pettirosso prende la parola : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/7218-il-pettirosso-prende-la-parola.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Dal primissimo piano di Sabaudia : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/7062-dal-primissimo-piano-di-sabaudia.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Capolavoro e dopolavoro : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/salute-e-medicina/7035-capolavoro-e-dopolavoro.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Teoria complottistica e teologica dell'amore : <b><a href="http://trentinolibero.it/magazine/trentino-magazine/attualita/6984-teoria-complottistica-e-teologica-dellamore.html">qui</a> </b>(ripreso<b> <a href="http://pingapa.blogspot.it/2014/07/nessun-porco-diventa-cataromassimo.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">"Sei un mito, Barnard!" : <b><a href="http://trentinolibero.it/magazine/trentino-magazine/attualita/6969-sei-un-mito-barnard.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Non chiamatemi maestro : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/teatro/6950-non-chiamatemi-maestro-corrado-delia-interpreta-strehler.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Eccesso di parole (un appunto su <i>Green Terror</i>) : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/teatro/6939-eccesso-di-parole-un-appunto-su-green-terror.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Cavalcanti, Pasolini, due frammenti : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6934-cavalcanti-pasolini-due-frammenti.html">qui</a> </b>(ripreso<b> <a href="http://pingapa.blogspot.it/2014/08/lesilio-e-la-comedia-massimo-sannelli.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Monologo per Adriano Accattino : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6913-monologo-per-adriano-accattino.html">qui</a> </b>(ripreso<b> <a href="http://pingapa.blogspot.it/2014/06/monologo-per-adriano-accattinomassimo.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">L'estro. Omaggio a Raffaele Perrotta : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6907-lestro-omaggio-a-raffaele-perrotta.html">qui</a> </b>(ripreso<b> <a href="http://pingapa.blogspot.it/2014/06/omaggio-raffaele-perrottamassimo.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il sesso che ti meriti? : <b><a href="http://trentinolibero.it/magazine/trentino-magazine/attualita/6877-il-sesso-che-ti-meriti.html">qui</a></b> </span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Estetica del Sagittario : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6861-estetica-del-sagittario.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Bologna 2 agosto (film) : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/6852-bologna-2-agosto-i-giorni-della-collera.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Ritual. Una storia psicomagica (film) : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/6830-ritual-una-storia-psicomagica.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Chi vuole l'uomo forte? : <b><a href="http://trentinolibero.it/politica/politica-e-societa/politica-nazionale/6823-chi-vuole-luomo-forte.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Come Narciso risponde ad Eco : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6814-come-narciso-risponde-ad-eco.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Frammento per Anna Maria Carpi : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6793-frammento-per-anna-maria-carpi.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Nota sul <i>Diario Ottuso</i> : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6796-nota-sul-diario-ottuso.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Cavalcanti e la vivisezione : <b><a href="http://trentinolibero.it/magazine/trentino-magazine/attualita/6786-cavalcanti-e-la-vivisezione.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Allegoria del McDonald's : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6773-allegoria-del-mcdonalds.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">I misteri di Cesare Pavese : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6740-i-misteri-di-cesare-pavese.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il mestiere del re : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6728-il-mestiere-del-re.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Estetica maschile : <b><a href="http://trentinolibero.it/magazine/trentino-magazine/attualita/6712-estetica-maschile.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Tutto il resto è noia : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/6607-tutto-il-resto-e-noia.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">City Lights, clinamen : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6600-city-lights-clinamen.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">L'artista non è libero : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6596-lartista-non-e-libero.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Forza Italia e la fine del mondo : <b><a href="http://trentinolibero.it/magazine/trentino-magazine/attualita/6579-forza-italia-e-la-fine-del-mondo.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Luca Bizzarri, grande Opinionista : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6536-luca-bizzarri-grande-opinionista.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Consigli per i belli e per le belle : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/attualita/6532-consigli-per-i-belli-e-per-le-belle.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Appunti: come vivere alla grande : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6516-appunti-come-vivere-alla-grande.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Nell'utopia cinese : <b><a href="http://www.trentinolibero.it/politica/politica-e-societa/politica-estera/6488-nellutopia-cinese.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;"><i>Ringkomposition</i>. Intervista : <b><a href="http://www.nuovaprovincia.blogspot.it/2014/04/ringkomposition-massimo-sannelli-un.html">qui</a> </b>(versione definitiva : <b><a href="http://www.lulu.com/shop/matteo-veronesi/satura-lanx/paperback/product-21599469.html">qui</a></b>)</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Appunti con lo spirito profetico : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6458-appunti-con-lo-spirito-profetico.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Frammento: Shakespeare, Testori, Gheddafi : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6436-frammento-shakespeare-testori-gheddafi.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Gli intellettuali fra Cristo e Belial : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6410-gli-intellettuali-fra-cristo-e-belial.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Quando questo poeta canterà : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6384-quando-questo-poeta-cantera.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Chi ha paura della Donna Libera? : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6380-chi-ha-paura-della-donna-libera.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">La donna-mostro e l'immortalità : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6365-la-donna-mostro-e-limmortalita.html">qui</a></b> </span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Papale papale : <b><a href="http://trentinolibero.it/magazine/trentino-magazine/attualita/6329-papale-papale.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Il pachiderma giudica Camus : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6298-il-pachiderma-giudica-camus.html">qui</a> </b>[ripreso<b> <a href="http://uhmagazine.blogspot.it/2014/08/la-forma-fisiologica-e-il-profilo-del.html">qui</a></b>]</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Estetica ringhiante ed informale : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/6279-estetica-ringhiante-ed-informale.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">A scuola dai Diversi : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6258-a-scuola-dai-diversi.html">qui</a> </b>[ripreso <b><a href="http://paolovalesio.wordpress.com/2014/02/24/a-scuola-dai-diversi-di-massimo-sannelli/">qui</a></b>]</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Puffetta e il minestrone... : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6232-puffetta-e-il-minestrone-ma-non-ce-la-passione.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Appunti sull'impulso... : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6203-appunti-sullimpulso-un-dialogo-animale.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Programma passionale di poesia... : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6158-programma-passionale-di-poesia-funziona-veramente.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">"Cosa succederà alla ragazza" : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6118-cosa-succedera-alla-ragazza.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Anima grossa bella scimmia nuda : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6089-anima-bella-grossa-scimmia-nuda.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">L'argomento del testo è secretato : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/6052-largomento-del-testo-e-secretato.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Di un desiderio che divenne quadro : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/6003-di-un-desiderio-che-divenne-quadro.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Pinocchio e il semolino vinceranno<b> : <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5974-pinocchio-e-il-semolino-vinceranno.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Genova e Genoa, barbari e Grifoni : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5935-genova-e-genoa-barbari-e-grifoni.html">qui</a> </b>[e un estratto <b><a href="http://www.pianetagenoa1893.net/opinioni-sul-grifo/massimo-sannelli-pia-mi-tradisci-pia-ti-amo-36445">qui</a></b>]</span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Poeta sii: una Guida per Negati : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5919-poeta-sii-una-guida-per-negati.html">qui</a></b></span></div>
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<span style="font-family: courier;">Se è nudo non è un verme : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5900-se-e-nudo-non-e-un-verme.html">qui</a></b></span></div>
<div style="text-align: center;">
<span style="font-family: courier;">Piccola lettera d'a**** (e una dichiarazione di poetica) : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5890-piccola-lettera-da-a-una-dichiarazione-di-poetica.html">qui</a></b></span></div>
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<span style="font-family: courier;"><span>Orfeo non sarà mai un mediatore : </span><b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5864-orfeo-non-sara-mai-un-mediatore.html">qui</a></b></span></div>
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<span style="font-family: courier;">Come evitare il suicidio : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5831-come-evitare-il-suicidio.html">qui</a></b></span></div>
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<span style="font-family: courier;">I Trentini non sono deficienti : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5826-stile-ostile-2-i-trentini-non-sono-deficienti.html">qui</a></b></span></div>
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<span style="font-family: courier;"><span>Da Nonno Libero al Trentino Libero : </span><b><a href="http://trentinolibero.it/cronaca/cronaca/cronaca-di-trento/5762-da-nonno-libero-al-trentino-libero.html">qui</a></b></span></div>
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<span style="font-family: courier;"><span>Scrivere in italiano, scrivere in rettiliano : </span><b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5741-scrivere-in-italiano-scrivere-in-rettiliano.html">qui</a></b></span></div>
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<span style="font-family: courier;"><span>Rinato sotto il segno dei Pesci : </span><b><a href="http://trentinolibero.it/magazine/trentino-magazine/eventi/5718-rinato-sotto-il-segno-dei-pesci-o-the-prophecy-slam.html">qui</a></b></span></div>
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<span style="font-family: courier;">Il concilio di Trento. E una voce acerba : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5708-il-concilio-di-trento-e-una-voce-acerba.html">qui</a></b></span></div>
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<span style="font-family: courier;">Io sono nera e bella, ma per chi? : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5689-lio-sono-nera-e-bellar-ma-per-chi.html">qui</a></b></span></div>
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<span style="font-family: courier;">Soddisfazione col bollino blu : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5642-soddisfazione-col-bollino-blu.html">qui</a></b></span></div>
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<span style="font-family: courier;">Perché amiamo Elisabetta d'Austria? : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/scuola-e-istruzione/5662-perche-amiamo-elisabetta-daustria.html">qui</a></b></span></div>
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<span style="font-family: courier;">Jack Daniel contro il Principe del Male : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5602-jack-daniel-contro-il-principe-del-male.html">qui</a></b></span></div>
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<span style="font-family: courier;">Laura Pausini e la lancia di Peleo : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5550-laura-pausini-e-la-lancia-di-peleo.html">qui</a> </b>(ripreso<b> <a href="http://uhmagazine.blogspot.it/2014/09/laura-pausini-e-la-lancia-di.html">qui</a></b>)</span></div>
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<span style="font-family: courier;">Come si riconosce una poesia : <a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5508-come-si-riconosce-una-poesia.html"><b>qui</b></a> </span></div>
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<span style="font-family: courier;">Giacomo Leopardi Fan Club! : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-%0Aletteratura/5478-giacomo-leopardi-fan-club.html">qui</a></b></span></div>
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<span style="font-family: courier;">Regista debole e regista fragile : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/cinema/5442-regista-debole-e-regista-fragile.html">qui</a></b></span></div>
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<span style="font-family: courier;">Manchevole come un sonetto : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5421-manchevole-come-un-sonetto.html">qui</a></b></span></div>
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<span style="font-family: courier;">Mago Merlino, o la curiosità : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5409-mago-merlino-o-la-curiosita.html">qui</a></b></span></div>
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<span style="font-family: courier;">Esortazioni (scritte in un fast food) : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5385-esortazioni-scritte-in-un-fast-food.html">qui</a></b></span></div>
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<span style="font-family: courier;">Che cosa regalare al Sagittario? : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5353-che-cosa-regalare-al-sagittario.html">qui</a></b></span></div>
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<span style="font-family: courier;">Correggio e l'immortalità dell'anima : <b><a href="http://www.trentinolibero.it/home/news/rubriche/versioni-non-ufficiali/5328-correggio-e-limmortalita-dellanima.html">qui</a></b></span></div>
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<span style="font-family: courier;">Stile ostile : <b><a href="http://www.trentinolibero.it/home/news/trentino-libero/progetto-trentino-libero/5306-stile-ostile.html">qui</a></b></span></div>
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<span style="font-family: courier;">Nonno Libero nega tutto : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5274-nonno-libero-nega-tutto.html">qui</a></b></span></div>
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<span style="font-family: courier;">Guerrieri? : <b><a href="http://www.trentinolibero.it/cronaca/cronaca/la-giornata-in-breve/5252-guerrieri.html">qui</a></b></span></div>
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<span style="font-family: courier;">Dante è sempre giovane : <b><a href="http://trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5229-dante-e-sempre-giovane.html">qui</a></b></span></div>
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<span style="font-family: courier;">Salvezza in Dante, salvezza di Dante : <b><a href="http://www.poesia2punto0.com/2013/09/17/salvezza-dante-salvezza-di-dante/">qui</a></b></span></div>
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<span style="font-family: courier;">Morire non basta : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-letteratura/5203-morire-non-basta.html">qui</a></b></span></div>
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<span style="font-family: courier;">La Chiesa di Trento non è tridentina : <b><a href="http://www.trentinolibero.it/magazine/trentino-magazine/scuola-e-istruzione/5199-la-chiesa-di-trento-non-e-tridentina.html">qui</a></b></span></div>
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<span style="font-family: courier;">Non chiamatela Sissi : <b><a href="http://www.trentinolibero.it/cultura-e-spettacolo/arte-e-cultura/libri-e-let%20teratura/5178-non-chiamatela-sissi.html">qui</a></b></span></div>
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<span style="font-family: courier;">Appunti su Hafez : <b><a href="http://lafinestraeditrice.files.wordpress.com/2013/09/hafez.pdf">qui</a></b> </span></div>
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<span style="font-family: courier;">Per un enciclopedismo caleidoscopico : <b><a href="http://lafinestraeditrice.files.wordpress.com/2013/07/per-un-enciclopedismo-caleidoscopico.pdf">qui</a></b></span></div>
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<span style="font-family: courier;">un testo di Aleksandr Balagura e Massimo Sannelli per il FID : <a href="http://www.fidmarseille.org/pdf/050713.pdf" target="_blank"><b>qui</b></a> (a p. 5 del .pdf)</span></div>
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<span style="font-family: courier;">Intervista, a cura di Elisabetta Brizio : <b><a href="http://www.bibliomanie.it/conversazione_massimo_sannelli_elisabetta_brizio.htm" target="_blank">qui</a></b></span></div>
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<span style="font-family: courier;"><i>+ xxv, </i>inspired by <i>La Colonna infame</i>, by Ariel Soulé and Simon Toparovsky : <b><a href="http://lafinestraeditrice.files.wordpress.com/2013/04/xxv1.pdf" target="_blank">qui</a></b></span></div>
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<span style="font-family: courier;"><i>calamus</i> - il poeta dell'anno 2011, a cura di Emilio Piccolo : <a href="http://www.vicoacitillo.it/anno/sannelli/sannelli.html" target="_blank"><b>qui</b></a></span></div>
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<span style="font-family: courier;">ottave inedite, nel blog di poesia della Rai, a cura di Luigia Sorrentino : <b><a href="http://poesia.blog.rainews24.it/2012/09/23/opere-inedite-massimo-%20sannelli/#more-24872" target="_blank">qui</a></b></span></div>
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<span style="font-family: courier;">Nostradamus - <i>i doveri</i> - interpretazione di Massimo Sannelli, con una prosa di Marina Pizzi e un saggio di Matteo Veronesi : <b><a href="http://www.poesia2punto0.com/2012/08/24/traduzioni-i-doveri-di-nostradamus-traduzione-di-massimo-sannelli/" target="_blank">qui</a></b></span></div>
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<span style="font-family: courier;"><i>la buona poesia</i> [«Riconosco il "morso oscuro di tarantola"»... marzo 2012] : <a href="http://www.poesia2punto0.com/2012/03/16/la-buona-poesia-n-2-massimo-sannelli/#.T28Tw8UZdB4" target="_blank"><b>qui</b></a></span></div>
<div style="text-align: center;"><span style="font-family: courier;">diversi testi, in <span class="Apple-style-span" style="color: red;">Poesia2.0 </span>: <b><a href="http://www.poesia2punto0.com/author/massimo-sannelli/#.TuZ-C7In67s" target="_blank">qui</a></b></span></div>
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Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.comtag:blogger.com,1999:blog-2209475096725587818.post-75287029290250574332009-01-01T12:00:00.018+01:002021-04-18T10:03:53.403+02:00<div style="text-align: center;"><span style="font-family: courier; font-size: medium;">NEW E-BOOKS by MASSIMO SANNELLI</span></div><div style="text-align: center;"><span style="font-family: courier; font-size: medium;">The previous poetry books (2002-2013) are disowned</span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: courier; font-size: medium;"><a href="https://lottadiclassico.files.wordpress.com/2016/06/venti-sonetti.pdf" style="font-family: courier;">VENTI SONETTI</a></span></div><span style="font-family: courier; font-size: medium;"><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2017/09/xl.pdf">POESIE NELLO STILE DEL 1940</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2016/09/assoluto.pdf">L’ASSOLUTO</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2016/11/master.pdf">MOMENTS MUSICAUX. TO THE MASTER</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2017/03/medli.pdf">MEMORIALE DELLA LINGUA ITALIANA</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2018/01/fwmc.pdf">FW 17-18 MEN'S COLLECTION</a> <a href="https://lottadiclassico.files.wordpress.com/2018/09/nrml.pdf">NEUROMELÒ</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2019/01/niim.pdf">NIIMPTEM</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2019/07/themaine.pdf">A PART OF THE MAINE</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2020/01/ummss.pdf">UNA MATTINA MI SON SVEGLIATA</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2020/02/riotspart.pdf">RIOT'S PART</a></div><div style="text-align: center;"><a href="lottadiclassico.files.wordpress.com/2020/11/bin.pdf">BORN IN NAY</a></div><div style="text-align: center;">(photo: Silvia Marcantoni Taddei: + <a href="https://animaenoctis.bandcamp.com/track/born-in-nay">a track</a>)</div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2021/01/grnob.pdf">GRUNGE NOBILIOR</a></div><div style="text-align: center;"><a href="https://lottadiclassico.files.wordpress.com/2021/04/icic.pdf">IL CULO IN CINERAMA</a></div></span><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div><div style="text-align: right;"><span style="font-family: courier;"><br /></span></div>Massimo Sannellihttp://www.blogger.com/profile/14404009610642694275noreply@blogger.com