I was born on 27th November 1973. 

I am a multimedia artist.

I am not a bourgeois. My ancestors were countrymen and tailors.

I pay respect to G-D

I was used to write poems in my mothertongue (2001-2013: the phase I totally ripped apart; 2016-2021 + 2023: this is the only phase I want to be read). I was a fastidious scholar of Mediaeval literature and a consulting editor. I left Italy after the pandemic.

I am no more used to write poems in my mothertongue. I am no more used to be a scholar and an editor. I can't stand the desperate incorporeal poet I was in the years 2001-2013. From now on, my language will be basic, like sex. (Fuck the past).

I will not persevere in hiding my sexuality. In fact, my written art was but an acceptable and stylish technique to deny my bodily life. This technique was insincere, though. 

My current activity is a sort of permanent transition.

My only Italian literary mentor was Edoardo Sanguineti, but I don't owe him any career help. 

I am a multimedia artist in AnimaeNoctis duo. 

My whole artsy life before the duo is an unbalanced preparation to AnimaeNoctis. I don't miss my past life. No throwback is possible.

I do not trust any totalitarian behaviour/belief/entity. 

I do not belong to any political matrix. 

I do not claim an educational qualification. Of course I have a qualification. I mean: I was used to work with it, but not now.

I think Avantgarde can be an amuseable Factory.

I love the entertainment world and I have always loved it. I love the fashion world as well.

I think my body is the first test animal to experiment with.

It takes caution not to get poisoned and not to poison others. 

My activity does not want to be the rampant witness of any system decadence. I do not want to serve as the mapper of any decadence. 

In my practice, installation and performance are not opposites. 

«It is only after you have come to know the surface of things [...] that you can venture to seek what is underneath. But the surface of things is inexhaustible» (Italo Calvino, Palomar). As an artist, I deal with the surface.

My masks are not my labels. I can change my masks or avoid them at all. 

I have experienced a body that has been sick, healthy, fat, thin, muscled, unsexy, sexy, diagnosed with depression and eating disorders. I have experienced plenty of body possibilities. My different bodies looked like parts of an illusion I can barely explain. I am not the plain mapper of such things. As of now, this is the 2D me that sums up the 3D one.

Silvia and I work with international lust artists. Our art practice tends to avoid the pure fiction style. Our art items are pure documentaries. We actually do what we do: deep Ἔρως + Lust + Pleasure.